Pete Burns Quotes
Quotes to Explore
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My mother is the sort of a person who has no boundaries and no filter. She also has a big ego, but it's a very unique one. And I grew up with lots of artists in an environment where conformity and the norm were totally not what anybody was after.
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You don't need expensive classes and all kinds of weird equipment if you really want to be in shape. There are great ways to do it that are very economical, it just takes a time commitment, even if it means waking up a half hour a day before the rest of the household gets up because that's the only time you have.
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We're living at a time where if you do a Google search for a 'show, review and network,' you'll get 'The New York Times' and Pete Billingsley from a town you've never heard of on the same results page. It's kind of democratizing the process so that everyone has access to a distribution system to express themselves.
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I hate ugliness. You know I'm allergic to ugliness.
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Until Lee Elder, the only blacks at the Masters were caddies or waiters. To ask a black man what he feels about the traditions of the Masters is like asking him how he feels about his forefathers who were slaves.
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It might be, it could be... it is! A home run!
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A movie is about human beings, about humanity.
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I just have to concentrate on doing what I do.
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Sometimes I'm more stubborn than I am smart.
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I never sing in the shower either.
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Everything starts as somebody's daydream.
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I've done my coaching badges, I've got my Pro Licence, but I enjoy what I'm doing now. I'm also the elite performance director of the Welsh FA. The main thing for me was always Liverpool Football Club and my country, Wales - and I'm lucky enough to still be involved with both of them.
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Anyone who thus looks up has some chance of becoming worthy to be looked up to in turn.
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My ritual is cooking. I find it therapeutic. It comes naturally to me. I can read a recipe and won't have to look at it again.
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I need to mature a bit - then I might have something to show for it.
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To me, form doesn't always follow function. Form has a life of its own, and at times, it may be the motivating force in design. When you're dealing with form as a sculptor, you feel that you are quite free in attempting to mould and shape things you want to do, but in architecture, it's much more difficult because it has to have a function.
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Good planning is important. I've also regarded a sense of humor as one of the most important things on a big expedition. When you're in a difficult or dangerous situation, or when you're depressed about the chances of success, someone who can make you laugh eases the tension.
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I go on giving interviews because I've been brought up to support the projects I'm involved in. When you've enjoyed working on a production, you want to do them a favour.
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I've been in the government bureaucracy, I've practiced law, I've done a lot of different things.
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When I was training, I trained with my younger brother Brady. I would wrestle some of my friends, who I had grown up with, which showed me some moves, but it was never a full on match. When I went to competitions, there were other girls, so I always wrestled girls.
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Robert McKee says humans naturally seek comfort and stability. Without an inciting incident that disrupts their comfort, they won’t enter into a story. They have to get fired from their job or be forced to sign up for a marathon. A ring has to be purchased. A home has to be sold. The character has to jump into the story, into the discomfort and the fear, otherwise the story will never happen.
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Eventually I lost the idea that I could have a career. I thought I was too old.
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Then there is this idea that the world owes you a living. Here is a little thought about that. It isn't particularly logical but it makes my point. You were paid when you were born, with the privilege of living. Death is all that is coming to you. Life came to you when you were born.
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You shouldn't inflict yourself on the public when your fifteen minutes is up.
