Jason Woliner Quotes
We would write scripts, like for 'Shutterbugs.' Then when we shot it, everyone just came up with new stuff. We've definitely learned how to do it better as we've gotten along. So basically, that's how it went. We just go in with ideas and try to figure out funny stuff while we're there.
![Jason Woliner](http://cdn.citatis.com/img/a/e/15406.v2.jpg)
Quotes to Explore
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Everything always looked better in black and white. Everything always looked as if it were the first time; there's always more people in a black and white photograph. It just makes it seem that there were more people at a gig, more people at a football match, than with colour photography. Everything looks more exciting.
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My parents came to see me in a play at Eton when I was 16. And then, when I said I wanted to try for drama school, they knew there was enough passion there for them to be brave and back me.
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To be honest, proper recognition has only come from the fans. I don't want to be hard, and I don't want to be negative, but I want to be honest.
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Happiness radiates like the fragrance from a flower and draws all good things towards you.
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I feel like my story would've been different had I had a chance to play with Bron when I was 18. I've thought about it countless times.
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I never made a mistake in grammar but one in my life and as soon as I done it I seen it.
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It's well proved economics that if a country which is rich and a country that is poor come together in global trade, sooner or later the standard of living of the poor country will go up towards that of the rich country.
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I am more afraid of those who are terrified of the devil than I am of the devil himself.
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My mother didn't set out to surround us with white students or colleagues. My mother just sought a quality education. People have these expectations of who they think you should be. And I say it's because they don't really understand Malcolm X - or his wife.
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If you're a writer, write. You just keep writing. And if you're a filmmaker, you keep doing what you can to keep telling your stories; you don't stay on the one. Keep moving forward and doing what you can to tell whatever story you can tell, be it via writing, be it via filming it.
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I've had my run in with trouble. Fortunately, you know, one slap on the hand is usually the last time for me... I learned my lesson.
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I wasn't completely comfortable in the footy culture because I wasn't that comfortable in my own skin, which I am now. I'd fit in better now, but I don't miss the training and the injuries you get playing footy.
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I did a lot of stunts, so the harness work isn't foreign to me either.
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I went to the studio of Fischli Weiss, and it was magical. I thought: 'This is what I want to do with my life; I want to work with artists and be useful to them.' I was magnetically attracted.
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I find that you learn from others. It's very much about watching TV and watching movies for me and grasping that way and watching other people act.
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As far as money goes, there's a saying in Denmark: 'Your last suit doesn't have any pockets.' You can't take it with you. You can make all the money you want, but who cares?
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I'm a really bad liar.
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My three husbands were afraid of me. I am a very powerful woman.
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We were like a stock company at Warners. We didn't know any of the stars from the other studios.
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But I was always much more interested in reading fashion magazines than I was music magazines when I was a teenager. Just that sense of romanticism and escapism and the dream of it has always been quite alluring to me, as well as that sense of becoming a character through clothes.
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The minimum wage is not something that you want to stay on as a permanent basis. For example, if you have a minimum wage job, you don't stay there 20 or 30 years. You don't put your children through college working on minimum wage.
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I lived in Hollywood and, ironically, I didn't know you could just go out and get an agent and go on auditions and try and become an actor, I thought it was like a Masonic thing, like a blood line you had to belong to – until I was 13. Then I realised what you had to do. It is the one thing I know I want to do for the rest of my life.
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Did Muddy Waters play an acoustic? Well of course he did. But did he turn his back on being able to plug it in and play louder? No, he plugged in and turned it up and got miles and miles ahead of the game in one fateful act of just plugging in.
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We would write scripts, like for 'Shutterbugs.' Then when we shot it, everyone just came up with new stuff. We've definitely learned how to do it better as we've gotten along. So basically, that's how it went. We just go in with ideas and try to figure out funny stuff while we're there.