Jean Chretien Quotes
There is nothing more nervous than a million dollars - it moves very fast, and it doesn't speak any language.
Quotes to Explore
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I'm never nervous about being vulnerable with my songwriting because my favorite artists are ones that are vulnerable. I want people to feel like they know me.
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I think lots of actors are very nervous and shy. I know lots of them who are, and some who aren't of course.
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For some reason, when I get to the 200m, I'm always a little bit nervous.
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Every time I go out there and compete, my number is, of course, $100 million or better.
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Mercury is a potent toxin that interferes with the human nervous system. Reducing this hazard will be a major public health breakthrough.
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There's about one sword-swallower per 2 to 4 million persons in each country.
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I don't do something because I think it will sell 30 million albums. I couldn't care less. If it sells one, it sells one.
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There is a lot of Indian connect in 'Million Dollar Arm'. It is about two Indian boys, and we even shot quite a bit of the movie in India.
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It's nice to stay up nights worrying about the material, and not about the investors who gave you $10 million to do your musical.
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I ain't never nervous. Never nervous.
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I'm from Hollywood; I'm too dumb to be nervous about New York.
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If someone told me, 'I'm gonna give you $600 million, but I'm going to take your hair'? Take my hair!
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It's natural to get nervous about anything you care about.
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And that because the moving parts are a million times smaller than the ones we're familiar with, they move a million times faster, just as a smaller tuning fork produces a higher pitch than a large one.
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The older I get, the more nervous and anxiety-ridden I get. I don't know how to fix that.
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Everybody in the Olympics is paid. Lindsay Vonn is going to make a million dollars whether she skis or not.
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I get nervous for everything - literally everything.
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I'd rather have 100,000 people who really get what I'm doing and like it for what it is than a million who can take it or leave it.
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I am always nervous when I'm auditioning for a part I really want.
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If a book's moving well, or I was interrupted over six million times through the day, I'll usually go back and write for another hour or two.
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I have sold 120 million records. Half of those could be in Europe.
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Night doesn't fall in Rome; it rises from the city's heart, from the gloomy little alleys and courtyards where the sun never gets much more than a brief look-in, and then, like the mist from the Tiber, it creeps over the rooftops and spreads up into the hills.
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There is nothing more nervous than a million dollars - it moves very fast, and it doesn't speak any language.
