Jean de La Fontaine Quotes
Quotes to Explore
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I've got bowlegs, so if I do a midcalf look, I look bandy.
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Don't pay any attention to the critics - don't even ignore them.
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You can't hold back. You can't think of the subtleties of playing. You just have to get out and really bare it all, and hopefully you don't fall off the plank. And if you do, hey, pick yourself up, dust yourself down, and start all over again.
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If I'm trying to rebound after a bad hole, I just go back to tempo and process and rhythm, and I cling to my routine.
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One of our first jobs was at Saba Software. We were helping them build their products for the cloud. We wanted to build our own product and move away from consulting. We were looking for a change. The CEO of Saba introduced me to Marc Benioff.
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My real dream is that everybody will see their self-interest tied up with someone else, whether or not they see them, and see that as an opportunity for growing closer together as a culture and as a world.
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I don't like to Google myself. I try and avoid it whenever I can.
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I think success happens when it's supposed to and when you can appreciate it. I am grateful that it didn't happen for me at 22 or 23. I would've been foolish enough to think that we're all entitled to it, instead of it being the divine blessing that it is.
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Bleaching eyebrows makes me crazy.
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If you're beautiful, you're led to believe that you can't also be smart.
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I never intended for the Monster Ball to be a religious experience, it just became one.
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I will say that rowing in the first Olympics was probably one of the most proud moments in my life. What I enjoy about the sport is that it's definitive. Nobody can take away from the fact that you're an Olympian. It's indisputable. You get there on merit and merit alone.
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If you only believe that you're an artist when you have a big advance in your pocket and a single coming out, I would say that's quite soulless. You have to have a sense of your own greatness and your own ability from a very deep place inside you. I am the one with the litmus test in my hands of what people need to hear next.
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I had five children in six years. The day I brought my fifth baby home, that week, my daughter turned 6.
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The main characters for 'The Seer and the Sword' made an appearance one night and then haunted me for over five years before I began to write them down. Does that count as inspiration? For me, characters tend to show up, stay on to help with the work of writing their stories, and then occasionally deign to visit after a book is finished.
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I believe if more American children read the Ten Commandments and are taught what they mean, they will predictably engage in less crime.
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I'm proud of 'Fifty Shades of Grey.' I don't need to distance myself from that. The more work I do, the more the general public sees the different things I can do. Do I think it opened doors? Yeah. More people know my name.
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People accuse artists of being narcissists - of course we are! If we don't like ourselves, who's going to like us?
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I want to play a psycho, something more challenging than just 'the girlfriend' part.
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From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue.
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I think men, growing up, you have to go through some form of hardship. You've got to harden the metal.
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Here is Menard's own intimate forest: 'Now I am traversed by bridle paths, under the seal of sun and shade...I live in great density...Shelter lures me. I slump down into the thick foliage...In the forest, I am my entire self. Everything is possible in my heart just as it is in the hiding places in ravines. Thickly wooded distance separates me from moral codes and cities.
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The truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.
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Be advised that all flatterers live at the expense of those who listen to them.
