Matthew Heineman Quotes
For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
Quotes to Explore
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There's no shame in owning a New Kids on the Block t-shirt. They were my first concert when I was eight.
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This is something I've wanted to do my whole life is play baseball, and I think just the opportunity to put on a big-league uniform every day is just... you know, people dream of it, but not everybody gets to do it. I'm thankful every day I get to do it.
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Major labels didn't start showing up really until they smelled money, and that's all they're ever going to be attracted to is money-that's the business they're in- making money.
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My desire to be an artist really came out of being broke and unemployed and incapable of holding a job down. That's what it was driven by for sure.
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For twenty years, Islamic Jihadists have been attacking American interests around the world and we did not take them seriously until September 11th, 2001.
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You want your coach's blessing.
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I hope that people look at my whole career and appreciate that I've given everything that I've got.
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I am a very loyal man and always keep my promises when I commit to something.
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I started at the age of 8 and have been lucky to be still working.
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Without the element of uncertainty, the bringing off of even, the greatest business triumph would be dull, routine, and eminently unsatisfying.
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Comic book readers tend to be pretty secular and anti-authoritarian; nothing is above satire in their eyes.
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On one hand, it seems strange that a country that has suffered so much from violence and war would be debating if they want peace or not. But in Colombia, a part of society is deeply connected with the war as a means of making a living.
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The Spirit of the Holy Ghost is the teacher in the temple. He teaches principles of eternal significance. It is during these instructions that we see the relationship between the earthly and the eternal. We must remember that the Spirit teaches only those who are teachable.
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I think novelists should be disciplined and self-imposed working hours. I work a lot, but I don't feel that I'm working. I always feel that there is a child in me, healthy, and I'm playing.
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Only amazing designers think of the truly new.
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I think that when I was child, acting was mostly just a hobby for me. It was something that my parents encouraged me to think of the way that my brothers thought of their cross-country classes, or my little sister to dance classes and art classes, and it was something like that for me.
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I think that what happens for many Christians is, they accept their particular faith, they accept it to be true, and they stop examining it. Consequently, because it's already accepted to be true, they don't examine other people's faiths... That, I think, is not healthy for a person of any faith.
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I'll probably have to open a recording studio at some point because I won't be able to pay the bills.
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I definitely use 'smiling while rapping' as a tool in the booth. I want to have fun while recording.
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The hope that poverty and ignorance may gradually be extinguished, derives indeed much support from the steady progress of the working classes during the nineteenth century.
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You know it's always amazed me - I think the most startling thing that's happened in the last couple of decades is that there is no sort of objective reporting anymore.
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You don't have to work at being in the high vibration that is natural to you, because it is natural to you. But you do have to stop holding the thoughts that cause you to lower your vibration. It's a matter of no longer giving your attention to things that don't allow your cork to float or don't allow you to vibrate in harmony with who you really are.
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The average Nigerian person has come to reconcile himself with the fact that his or her social progress remain essentially in his or her hands in collaboration with other fellow Nigerians and not merely relying on what government alone could provide for him or her.
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For 'City of Ghosts,' I really didn't speak any Arabic. It obviously made it more difficult, but I also found it to be an advantage while shooting. It allowed me to focus on the emotion of the scene as opposed to just chasing dialogue.
