Brian Stokes Mitchell Quotes
Usually, I don't feel comfortable with a character until I've played him before an audience for several performances. It is not until after three months of performing that I learn to discover what I call 'all the nooks and crannies' of the person.
Quotes to Explore
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What we've seen of Rey, she looks like she can handle her stuff. So most of the comments I get are from parents who say how wonderful it is that their little girls can see this character.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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Sometimes it's less about the character and more about the story for me. I'll play a rock in the background if I think the story is fantastic and I can be a part of it somehow. That's what I look for.
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This basic thing I always do: 'What happened between the character's birth, and page one of the script?' Anything that's not in the story, I'll fill in the blanks.
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There's nothing wrong with anger provided you use it constructively.
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When you choose your friends, don't be short-changed by choosing personality over character.
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Anne Boleyn is an intriguing character. She seems to appeal to modern-day women in a very potent way. Because she was such an independently opinionated and spirited young woman, which at the time was unheard of.
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Where there is righteousness in the heart, there is beauty in the character. When there is beauty in the character, there is harmony in the home. When there is harmony in the home, there is order in the nation. When there is order in the nation, there is peace in the world.
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My childhood and adolescence were filled with visiting scientists from both India and abroad, many of whom would stay with us. A life of science struck me as being both interesting and particularly international in its character.
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So they've actually - it's not that her character is a singer, but she had ambition to do that at an earlier time in her life. So I've actually sung two or three times now on the show.
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I read the script for 'Guncrazy' in 1985 and loved it because it was one of the few scripts I'd come across that revolved around a strong female character.
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I played a character in 'Ransom' who was as evil as they come.
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My books are character-driven. They're not driven by the story.
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I've always loved pinup art, and I've always enjoyed drawing women. I think it was a conscious decision that has resulted in me getting almost exclusive work on comics where the main character is female.
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Sudden success in golf is like the sudden acquisition of wealth. It is apt to unsettle and deteriorate the character.
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Character is always known. Thefts never enrich; alms never impoverish; murder will speak out of stone walls.
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I tend to gravitate toward conflicted characters, and a character who is exploring chaos theory and population control and the difficulties of love and family is pretty rich.
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I have learned a great deal in my life, and DeMolay helped me to learn that character and integrity should be cornerstones in your life. As a Senior DeMolay, as a father, the best advice I could ever give would be to take the high road in life, and you will be able to build trusting relationships.
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'The Walking Dead' never wants you to get too comfortable with characters and cast members. I think about the time you feel fairly secure with your appreciation of a character is about the time the show will gut-punch you.
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There are, and always have been, destructive pseudo-scientific notions linked to race and religion; these are the most widespread and damaging. Hopefully, educated people can succeed in shedding light into these areas of prejudice and ignorance, for as Voltaire once said: 'Men will commit atrocities as long as they believe absurdities.'
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Tradition demands that we not speak poorly of the dead.
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I have really big features, so a little makeup goes a long way. I would hate to look like a clown.
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I'm as vain as the next person, but I've made so much fun of myself over the years, and that's very salutary as you grow older.
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Usually, I don't feel comfortable with a character until I've played him before an audience for several performances. It is not until after three months of performing that I learn to discover what I call 'all the nooks and crannies' of the person.
