Bridget Riley Quotes
In my earlier paintings, I wanted the space between the picture plane and the spectator to be active.
Quotes to Explore
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When you encounter difficulties and contradictions, do not try to break them, but bend them with gentleness and time.
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I don't have a wallet. I carry my driver's license and a couple of credit cards in my phone. That, and a money clip.
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The fight for freedom must go on until it is won; until our country is free and happy and peaceful as part of the community of man, we cannot rest.
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We, after a certain age, after college, are so consumed about what we want to achieve in life, and we fiercely are ambitious and we go after that, but sometimes we tend to take all our loved and dear ones for granted.
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I get over-excited by every opportunity that comes my way. I end up doing too much.
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The confidence and respect shown by my countrymen in calling me to be the Chief Magistrate of a Republic holding a high rank among the nations of the earth have inspired me with feelings of the most profound gratitude.
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Forgiving the men who killed my parents and brother was a process, a journey into deeper and deeper prayer.
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We use the same possessive pronouns for everything, but do we own our lives or sisters or husbands in the same way we own our shoes? Do we own any of them at all?
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You need tremendous spirituality to stop yourself falling into the abyss.
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Coney Island was the centre of the world for me. I loved the rides, the hot dogs - I've never gotten over it.
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Custom turns everything upside down. Give it time, and what can resist its hardening effect? What does not yield to use? How many find that the bitterness they had formerly dreaded has, unfortunately, through use alone, turned to sweetness?
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I've always been extremely physical. I was a gymnast for 15 years, and then I was a dancer for nine, so I was kind of looking for these parts. But we have a tendency in Denmark not to do many action films.
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Comedians have to write to survive because you don't get cast for your beauty.
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You can't write a story about a mental hospital in the United States without facing the grand example of 'Cuckoo's Nest.'
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Conversion for me was not a Damascus Road experience. I slowly moved into an intellectual acceptance of what my intuition had always known.
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When you're on a movie set and you are hopefully making a comedy, everyone's stifling their laughter. You're looking at the crew guys, hoping someone is making that face like, and not like, this is not working out, man.
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I don't need somebody behind a desk to tell me what a marketing survey says is funny. I got 3 million miles and 70,000 tickets sold, telling me that I know how to make people laugh.
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As a European I had fit in almost seamlessly in New York for the last 25 years, but in Oklahoma I stood out like a sore thumb.
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The movements which I make I cannot possibly repress because, at the time, I am actually the idea I am interpreting, and naturally I picture my players and auditors as in accord with me. I know, of course, that my mannerisms have been widely discussed.
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Everyone has his superstitions. One of mine has always been when I started to go anywhere, or to do anything, never to turn back or to stop until the thing intended was accomplished.
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Pull the hair on my head the wrong way, and I would be on my knees begging for mercy. I have very sensitive follicles.
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Stony Skunk, when they were with our company, had a song which I personally like called 'Red Light District.'
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Well, wouldn't it have been easier if she'd just asked me whether I liked her better than you?" "Girls don't often ask questions like that," said Hermione. "Well, they should!" said Harry forcefully.
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In my earlier paintings, I wanted the space between the picture plane and the spectator to be active.
