Brigitte Nielsen Quotes
I know I will be breaking a taboo. But I'm sure that it will provoke a new discussion. It's time things change. I feel 30 and want to look that way again.
Quotes to Explore
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I learn something in the interviews from time to time.
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I think that any time you're able to get a guy like Carmelo Anthony to be on your team, you're going to be a step up.
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I feel nothing can push you till the time you want to get pushed.
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You cannot truly listen to anyone and do anything else at the same time.
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Eddie Murphy was my guy for a long time. My first exposure to 'SNL' was his 'Best Of' VHS, and I would watch it over and over again. He was one of the few people on the show to play with the live elements and engage with the audience.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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We moved from the East coast to the town of Spokane, Washington, when I was about 13 years old, and I did not adapt very well to the, to the style of the place, and I spent most of my time in the public library.
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When I finally finished the 'Two Suns' tour, which went on for quite a long time, I felt like a bit of a husk. And I remember thinking, 'I need to spend some time in one place, and just be at home.' So I guess the first year of that three and a half years was spent just trying to kind of get back to normal again.
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The Web forces me to be disciplined and not to waste time – but before the Web was invented, there were plenty of opportunities to do that anyway.
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But I think it's also hard to get into soccer here. I think purely on a time level on television as well because of the ad breaks. It's something to do with that as well. You can't show a complete soccer match here. Which I kind of find a bit of an odd thing.
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I wrote 'White Teeth' in the late nineties. I didn't really feel trepidatious about it. It was a different time.
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A holiday is when you celebrate something that's all finished up, that happened a long time ago and now there's nothing left to celebrate but the dead.
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I had two jobs coming out of school: I did a play, 'The Great White Hope.' I played the boxer Jack Johnson. And I was the lead in this indie film. Then I moved to Los Angeles because New York was cold and it was really too quiet for me at that time. I was out of school; I was hungry. The auditions were trickling in, and I was antsy and ready to go.
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When your life is being threatened there's an instinctive urge to fight. You fight for the time you have, for your relationships.
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I want to keep working with the best, keep going and be a better actor each time I go and dive into something.
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My films are about ideals that clash with the world. Every time it's a man in the lead, they have forgotten about the ideals. And every time it's a woman in the lead, they take the ideals all the way.
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I've done teaching and things like that because if you're acting, you're becoming other human beings, and you need to have time to find who you are as well.
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I really hated school. I had the feeling I was losing a lot of time.
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The American people, through the 35 states that have liberalized laws banning either medical marijuana, marijuana in general, or cannabinoid oils, have made it clear that federal enforcers should stay out of their personal lives. It’s time for restraint of the federal government’s over-aggressive weed warriors.
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Hope is one of those no-win-no-fee things, and although it needs some encouragement to survive, its existence doesn't necessarily prove anything.
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I spend all day replying to tweets and reblogging posts and sharing fan art. I think it's the most important thing I can possibly do, to stay involved in the community as a part of the community, not ahead of the community. I'm very much the same level of them in it.
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We will respond to the threat of climate change, knowing that the failure to do so would betray our children and future generations
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The development of the New Architecture encountered serious obstacles at a very early stage of its development. Conflicting theories and the dogmas enunciated in architects' personal manifestos all helped to confuse the main issue.
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I know I will be breaking a taboo. But I'm sure that it will provoke a new discussion. It's time things change. I feel 30 and want to look that way again.
