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'Clocked' means someone sees you for being transgender.
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You see kids walking to the bus, and they're watching product on their phones. I'm positive that my grandkids and their grandkids are going to put on a pair of glasses and watch something.
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I've done 'Yo Gabba Gabba!' I've done... oh, it's not called 'Rapunzel' anymore. 'Tangled', that's it. Those are both huge.
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My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
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I've been in three sort of... I mean, I'd say they're groundbreaking series, if only because of the creators. One was 'Max Headroom', another was 'The Larry Sanders Show', and the third was 'Arrested Development'.
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I love this company. I don't know how it was selected. It's a bunch of machers. They mean business.
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My education was doing good plays and also stinkers. When you do a stinker, you learn how to act. I like having to audition. It's nice to do rehearsals. But it's with an audience that you get to love it!
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The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
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The brilliance of Jill Soloway is that while some people will give you Season Two, plus 10%, she's just kicked it.
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The 'Hey now's' are delivered as people pass me. As I just get near ear range, I hear, 'Hey now!' and that's very funny.
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I almost should have a shirt made: 'Jill Soloway has changed my life...' Not only changed my life with the opportunity to play Maura, but the opportunity and the responsibility of playing Maura.
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I do remember going shopping with my mother; I think the name of the store was Ruth Atkins. I don't know why I can remember that. It's probably because it's not the name.
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I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.
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The day before I work, I don't like to even look at the script and let whatever happens happen on the set. But I do prepare a lot. I'm a big believer in that.
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I grew up in San Fransisco in a very liberal community. My environment was very, very open and very liberal.
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I'm interested in people's stories, so I decided to tell part of mine.
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I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
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The best comedy not only makes you laugh, but on the moment of the laugh, you learned.
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I had a theater that was right across the street from me, and I would just go there after school and just hang out and watch... and everything seemed calmer there and nicer there and warmer there.
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As my manager says, 'These are wonderful problems.'
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Families are families are families are families.
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I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
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I think most of my heroes are not the traditional types. A guy I was fascinated with was Buster Keaton. I just love what he did. I love that mug.
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The real road, to me, was within the actor, within myself, within my own personality. How much Jeffrey can I find, and how much of Jeffrey could I access? What parts of Jeffrey have I never used for Hank or for George or Oscar? - and that was a delight.