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I've been in three sort of... I mean, I'd say they're groundbreaking series, if only because of the creators. One was 'Max Headroom', another was 'The Larry Sanders Show', and the third was 'Arrested Development'.
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I don't take off my nail polish when I go home because I'm too lazy, and they're fine with it. Maybe the checkout at the grocery store's not so great with it, but they're fine with it. The distrust, the phobias, those are learned, those are taught. But the natural grace is to understand and to love.
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I've done 'Yo Gabba Gabba!' I've done... oh, it's not called 'Rapunzel' anymore. 'Tangled', that's it. Those are both huge.
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I thought I was gonna do Lear, but I'm gonna do Maura.
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My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
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The first time I met Garry Shandling was my audition for 'The Larry Sanders Show,' with Garry and his casting director Francine Maisler. I can recall every minute of it. He was gracious and kind, and he read with me. He was terrific.
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My education was doing good plays and also stinkers. When you do a stinker, you learn how to act. I like having to audition. It's nice to do rehearsals. But it's with an audience that you get to love it!
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The brilliance of Jill Soloway is that while some people will give you Season Two, plus 10%, she's just kicked it.
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I love this company. I don't know how it was selected. It's a bunch of machers. They mean business.
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The 'Hey now's' are delivered as people pass me. As I just get near ear range, I hear, 'Hey now!' and that's very funny.
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I do remember going shopping with my mother; I think the name of the store was Ruth Atkins. I don't know why I can remember that. It's probably because it's not the name.
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I almost should have a shirt made: 'Jill Soloway has changed my life...' Not only changed my life with the opportunity to play Maura, but the opportunity and the responsibility of playing Maura.
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I'm interested in people's stories, so I decided to tell part of mine.
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I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.
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The day before I work, I don't like to even look at the script and let whatever happens happen on the set. But I do prepare a lot. I'm a big believer in that.
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I grew up in San Fransisco in a very liberal community. My environment was very, very open and very liberal.
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I can only speak for me... but in my life, I find that, in sobriety, I feel much more, and I have much more depth. I also feel - not to segue, but as being a parent of five kids, I can bring much more to my acting, and so I'm all about anything that gives you more feeling and more depth.
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As my manager says, 'These are wonderful problems.'
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The best comedy not only makes you laugh, but on the moment of the laugh, you learned.
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Families are families are families are families.
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I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
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The real road, to me, was within the actor, within myself, within my own personality. How much Jeffrey can I find, and how much of Jeffrey could I access? What parts of Jeffrey have I never used for Hank or for George or Oscar? - and that was a delight.
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I had a theater that was right across the street from me, and I would just go there after school and just hang out and watch... and everything seemed calmer there and nicer there and warmer there.
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I think most of my heroes are not the traditional types. A guy I was fascinated with was Buster Keaton. I just love what he did. I love that mug.