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And I'd watch George C. Scott from backstage. He was one of my mentors.
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I am the Internet guy. But the reason the 'Onion News Empire' was such an easy decision to make is I so trust that side of the fence now.
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The honor of being able to play Maura is transformative. I'm 70 years old. I should be in a reading room, reading Dickens or something.
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My wife thought I was Vincent Schiavelli, and we married.
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There are secrets in families. That is the definition of a family.
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I would daydream about what it would be like to be an actor. I would even do talk shows where I interviewed myself.
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I wanted to do well for me and for Maura. It is bigger than me. I have a responsibility. It's incumbent upon me to do Maura the best I can.
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Every family has that secret. Every family has that thing where you go, 'Shhh, shhh, shhh.'
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When I was growing up, there was a character on TV; there was a character stereotype: it was personified by Mel on 'The Dick Van Dyke Show.'
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There was one television in the living room, and we all sat around on Sundays and watched Ed Sullivan.
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I was a young actor who was bald, but at that time, there was a thing on television that - there was a prototype or a stereotype of a principal who was bald and mean with glasses, or there was... the angry boss who was bald.
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I loved the gentlemanly way they treated each other. It was unlike anything I was used to. I started helping them strike the set and, at 11, began taking acting classes privately.
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This whole thing about winning and losing is muddy waters. But I can remember, as a young actor, just walking around this city and not being able to get arrested.
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I give a speech at some colleges and corporations called 'Performing Your Life: An Evening with Jeffrey Tambor.' I get asked a lot of questions, and people say, 'Your stories are wonderful. You should write a book.'
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I love this company. I don't know how it was selected. It's a bunch of machers. They mean business.
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I remember going to Bob Preston's dressing room because I was losing a laugh - as you do in a long run. He said, 'Give me the script. That's where you're going off the road.' That's comedy. It's never the line itself; it's in the foundation.
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The 'Hey now's' are delivered as people pass me. As I just get near ear range, I hear, 'Hey now!' and that's very funny.
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I'm really aging myself, but I grew up with 'Playhouse 90' and the plays on the air - 90 minute plays.
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We did a thing that we would call we call 'hirstories.' H - I - R - S - T - O - R - Y. I would enact a young Mort. And that always felt - it was so funny - it felt more difficult than playing Maura.
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I can't say enough about the guts and the talents of Amazon. They're so agile, they're so nimble; they picked us up two weeks after we premiered, and their whole attitude is, 'Go, go, go, go,' so I'm very, very impressed.
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'Attaboys' help people. I am huge on attaboy. Confidence is the great ingredient to living and art, with fidelity to self. It's so important to surround yourself with people who give you confidence.
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I get up and cook for my kids, who really like my scrambled eggs. Or we make pancakes and the requisite bacon. The kids either play or watch cartoons, and Daddy gets to read the 'New York Times' and do his puzzle.
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My part had three lines. I said, 'You look wonderful, sir,' three times. All my friends said, 'Do not take that role - and do not understudy. You'll regret it the rest of your life.' I did both of those things, and I've never regretted it once.
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I thought I was gonna do Lear, but I'm gonna do Maura.