Jeffrey Tambor Quotes
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Owning a bookstore was right up there with acting in life goals, but other than swaggering around the store, I'm not much use.
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I really got used to playing Maura.
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I worked at The Old Globe Theater under the great baton of Craig Noel. One of the great theater heroes that we have. He was so great and so inspirational. I think I did 'Antony and Cleopatra' and 'The Taming of the Shrew'. I lived in Ocean Beach, and my rent was $140 a month.
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There was a library near us in San Francisco. It was the West Portal Public Library. I would ask my father to drive me there at night and pick me up when it closed. I think he was worried about this routine but never let on. Also, I kept this a secret from my friends, as I don't think it would have been considered the 'coolest' habit.
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I think I made $55 a week, and it was bliss... I was doing theater. It was all I ever wanted to do. It was so much fun, and you got paid for it, and you met people, and it's the greatest education in the world. And in my little Greenbrier station wagon, I felt very much like a troubadour.
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If you see 'Pollock,' I weighed almost 270 pounds.
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I learned the biggest lesson just watching Ed McMahon, watching him watch Mr. Carson's monologue.
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In Yiddish, we say, 'Nisht ahin un nisht aher.' It's neither here, it's neither there. I get more nerves than on anything I do when I'm doing multi-camera. But single-camera, I love very much.
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I am a huge believer - I always have been - in the power of comedy. That comedy will break hatred and will bring understanding.
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It was the '50s, and the card catalog and the Dewey Decimal System were in fashion. I hung out in the 812 section - American theater and plays. This is where I first read Arthur Miller's 'Death of a Salesman' and was transfixed. I remember staring into space for what seemed an eternity after reading Linda Loman's final speech.
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To you people out there, you producers and you network owners and you agents and you creative sparks, please give transgender talent a chance. Give them auditions. Give them their story. Do that.
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George Saunders's 'Lincoln in the Bardo' is a hands-down masterpiece - the subject of Abraham Lincoln and the genius of this author is a perfect union.
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I cross-dressed as the judge in 'Hill Street Blues,' you know.
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There are times between five and seven when this house is like a bowling alley, but it's reinspired me. My acting has gotten better because of these kids. I feel the same spirit I did when I was doing Off-Broadway.
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Life, liberty, and the pursuit of happiness is part of our constitutional rights and it belongs to everybody.
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I would not be unhappy were I the last cisgender male to play a female transgender on television.
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I came to New York late; I was already past 30.
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I'm the voice of a Chipotle Burrito. The world has changed.
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We are part of the zeitgeist, and we are communicating in a human, real way.
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People are identifying not only with the trans movement, but also the Pfefferman family. What I am noticing is people are coming up on the street and talking about their life and their family, and they say, 'Your family is just like mine.'
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What's interesting about playing Maura is that I get to use more of Jeffrey that I've ever used in any role, and I think that's the remarkable part about it and truly the most surprising part about doing this role.
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The Tambors were conservative Jews, and we attended Temple Beth Shalom at 14th Avenue and Clement Street in San Francisco. We were the only Jewish family for miles. To me, being Jewish meant 'otherness.'
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I think I have femininity, I have masculinity, but I get to use all of Jeffrey, and that's very powerful. And this is what I always thought when I went down in my little basement in San Francisco, where I grew up, and daydreamed about being an actor: It felt like this. This is what it felt like.
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I think Maura'is funnier than I am, wittier than I am, more intelligent than I am, and I think she's just floating me at this point.