Sam Worthington Quotes
When I do my job, I dive into these characters and try to flush something out of myself into these characters, and hopefully that translates well.
Quotes to Explore
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I won't allow myself to have tremendous fear.
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It is hard to watch myself. I'm hypercritical, and it's difficult to watch a performance when I may end up being at odds with it - wishing I'd done something differently or that they had edited it a certain way.
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Every now and then I read a poem that does touch something in me, but I never turn to poetry for solace or pleasure in the way that I throw myself into prose.
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I'm not on fire for the Lord, so I tried to make myself generate this fire for the Lord.
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I call myself a feminist, not a feminist filmmaker. If somebody asked me if I had a feminist sensibility it would be pretty hard to deny, but is it the theme of my work? Not necessarily. I'm interested in a lot of things.
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Remixes are so much fun. For me, it's like this great release of energy. I like producing stuff for myself, but I also enjoy making music that wouldn't really suit my own vibe.
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I second-guess myself all the time. I make a decision and then wonder if I made the wrong choice.
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I like to work all the time and really immerse myself in the project.
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My inspiration is endless; I can't define it. It is a constant flow and evolution. In general, I'm taking it from everywhere. People get nervous when they walk with me, as I'll see something and suddenly have to text it to myself.
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My mom just understands about stuff. We have a really good trust, and she knows I can take care of myself.
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I've planned book tours for myself, whether or not anybody wants to hear what I have to say. I've weighed in on things like what the cover looks like, what the copy looks like, how it's going to be promoted - just every aspect of it.
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I've always had confidence. It came because I have lots of initiative. I wanted to make something of myself.
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Instead of stubbornly attempting to use surrealism for purposes of subversion, it is necessary to try to make of surrealism something as solid, complete and classic as the works of museums.
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I wrote 'Criminal' in 45 minutes when everyone else went to lunch because I had to have a hit. I can force myself to do the work, but only if someone is right up behind me.
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I base myself in African-derived music. Blues is one of the modern forms of African music.
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If I see someone doing a new sport, I usually like to throw myself into it, and I never look at it and think, 'That's something I can't do.'
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Part of my job as Children's Laureate is to visit schools and talk about my love of books and stories and encourage them all to do it as well - to read, to write, to never be afraid of their own voice. Because we all have something to say.
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If there are negative people around me, I just try to distance myself from that.
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Because we are in a war situation, this can sometimes be dangerous work. But guys like A.D. Flowers and his technicians just take it in stride and get on with the job. In four years, we've never had a serious accident or injury working with all the explosions.
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I believe that in the historic and religious nature, marriage is between a man and a woman.
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I have to feel like my grandmother was my first mix engineer.
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A prophet or an achiever must never mind an occasional absurdity, it is an occupational risk.
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I've got some incredible fans actually - so loyal and they make me birthday cards and Christmas cards. I got this package of poems and artwork based around the songs. They've got this thing called 'Floetry' where they all have to put in artwork. They've set up their own competitions and stuff which is kind of amazing.
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When I do my job, I dive into these characters and try to flush something out of myself into these characters, and hopefully that translates well.
