Jenji Kohan Quotes
When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
Quotes to Explore
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It doesn't matter how much you want. What really matters is how much you want it. The extent and complexity of the problem does not matter was much as does the willingness to solve it.
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Cooperation and collaboration among nations and countries can help in the process of development of promoting welfare as well as bringing peace and stability.
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Writing is challenging work because it's so easy to get consumed with how it's going, what's going to happen to it, who's going to like or not like it. You want to get all of that stuff out of your head and just let the work flow.
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It's an honor to live on a legacy, getting to do what we love to do and try to be the best musicians that we can possibly be.
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I'll have the chance to do a production number on A Capitol Fourth.
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How are we to live with the desert, in the desert, within the desert?
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An explanation of cause is not a justification by reason.
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I think it is perfectly natural for any artist to admire intensely and love a young man. It is an incident in the life of almost every artist.
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To have success in your professional life is not so hard. To succeed as a man is more difficult.
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I've always been more of a camera hog than anything, and it's just another way to get it all out!
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No man may make another free.
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Ripley is married. And he's not lost. He has his feet on the ground.
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You could argue that 'Sweeney Todd' was romantic, if you looked closely at it, but it didn't impart that to its audiences. But it's large, and it's melodramatic, and it's a style I like to work in periodically.
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For many decades, Myanmar was on the receiving end of very public diplomatic scoldings, often backed up by sanctions.
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I love the ending of a movie where two people end up together. Preferably if there's rain and an airport or running or a confession of love.
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I'm a vulnerable, sensitive person. I overthink everything.
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You just put yourself into your work, and you can do anything you want, depending on how hard you want to work for it.
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I think we have to secure our borders and make sure that people coming in are coming here not to do us harm.
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The fashion business got boring. I was working with big companies, but the minute it became too formulaic, I got bored with it. I wanted to do a creative space where I could just make stuff - kind of like an atelier, where I could collaborate with other artists, drape geometric shapes on the body, make cushion covers, or whatever.
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I may be the only actress in Hollywood who won't need a face lift, because when I take off my makeup, I look so great compared to my characters!
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I am normally afraid of birds and have never dreamt of any bird in my life.
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The thing is when you play a character it's the persona you bring across from a book to film, or book to script to film. If I play Frank Sinatra, there's gonna be things I do in a movie that Frank might not have done, but it's the personality that comes across.
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The way the credit cards were made in the '80s to be a people's form of capitalism and be able to make it so that you could get a loan that you would have been denied previous, now that's the way stocks are.
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When I got out of college in 1991, I had four jobs in four different parts of L.A. There was I Love Juicy, a smoothie bar in Venice, and the Videotheque on Sunset Boulevard, across from the old Tower Records. I was also an intern at the 'Los Angeles Reader' in the Miracle Mile and at 'High Performance' magazine downtown.
