Jenna Blum Quotes
My novella, 'The Lucky One,' is inspired in part by my dad and also by a Holocaust survivor I interviewed for the Steven Spielberg Survivors of the Shoah Foundation.
Quotes to Explore
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My house looks like it was decorated by a 14-year old with a platinum American Express card.
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When you know your intention, you are in a position to choose the consequences that you will create for yourself. When you choose an intention that creates consequences for which you are willing to be responsible, that is a responsible choice.
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I understand acting and I understand actors. I don't really understand the world of celebrity. That's just bizarre. Those sorts of elements I'm at sea with.
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There's a generative material relationship between the material and the image that comes up.
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Every company has two organizational structures: The formal one is written on the charts; the other is the everyday relationship of the men and women in the organization.
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Jesus is an example. We have other examples, including many of our ancestors as role models who understood the inner meaning of our orientation.
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I'm not a good loser. I get sick physically... I take it to heart. I hate it.
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It's important to have masculine energy around your child.
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Human life is as evanescent as the morning dew or a flash of lightning.
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There's no more important bonding thing than a mother doing the daughter's hair. We sit at our mother's knee and learn who we are.
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'Independents' - the industry term for companies that have more capital and know-how than the typical 'wildcatter' - can grow either by exploring and finding reserves or by buying a company that already has them.
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I didn't particularly like being objectified.
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I just feed off the energy of the audience.
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I think cinema is closer to allegories than to reality. It's closer to our dreams.
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My perspective is the Earth will be here. It just may not be habitable to our life form. We get confused. We think we're the center of everything.
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In fact I enjoyed every minute of my life at King's, especially the discovery of French and German literature.
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For my own part, once I became a teenager, I experienced severe and violent racism.
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Even when you are playing someone who is real, you get their mannerisms and you get their little quirks, but, it still has to be something inside of you that connects with the role, or else you will not be any good.
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Make yourself necessary to somebody.
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For many decades now - and certainly during my adult life in academe - the Western intellectual world has not been convinced that theology is a pursuit that can be engaged in with intellectual honesty and integrity.
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When we were shooting 'Oz,' my wife was doing 'Beauty and the Beast' on Broadway, singing and dancing. It was an interesting dichotomy in our house.
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I'm really into gardening.
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When I'm at home or in the studio, I have a 1963 Martin. It's a D-28, and I love that guitar. I write on that guitar, and it's the first guitar that I put a pickup in and ran through an amplifier, splitting the signal to the amplifier and a DI or in the studio mic'ing it traditionally and putting an amp in the other room.
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My novella, 'The Lucky One,' is inspired in part by my dad and also by a Holocaust survivor I interviewed for the Steven Spielberg Survivors of the Shoah Foundation.
