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For many of us, our smartphones have become extensions of our brains - we outsource essential cognitive functions, like memory, to them, which means they soak up much more information than we realize.
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I experimented with every kind of class possible - yoga, spin, Pilates, rowing - but it was all haphazard, cobbled together by trial and error.
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I've endured humiliating experiences trying to get a cab in the various cities I've visited and lived in. Available taxis - as indicated by their roof lights - locked their doors with embarrassingly loud clicks as I approached. Or they've just ignored my hail altogether.
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Drag has been featured in popular culture for decades. Movies like 'Kinky Boots,' 'Tootsie,' 'The Birdcage' - even 'Mrs. Doubtfire' - have showcased men, some gay, some not, who dress and perform as women.
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Social media is my portal into the rest of the world - my periscope into the communities next to my community, into how the rest of the world thinks and feels.
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Over the years, I've come to realize that sometimes a ghost isn't always a ghost. Sometimes, telling a ghost story is a way to talk about something else present in the air, taking up space beside you. It can also be a manifestation of intuition, or something you've known in your bones but haven't yet been able to accept.
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As digital culture becomes more tied to the success of the platforms where it flourishes, there is always a risk of it disappearing forever.
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Most times, at the movies, my stress levels are ratcheted up so high that I can barely sit through the full production without excusing myself, clutching people next to me or crawling out of my seat, incapacitated by the unknown.
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In person, RuPaul is warm, funny, personable - someone who thoroughly enjoys life.
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Ultimately, what the tech industry really cares about is ushering in the future, but it conflates technological progress with societal progress.
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Artists' obsessions with technology are not new, but in the late aughts, the work tended to focus on the possibility of the medium, treating technology like a new tool rather than a sociopolitical framework.
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A governing ethos of the Internet has been that whatever flows through it - information, ideas - is up for grabs.
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If anything, Twitter helps me read about perspectives outside of mainstream media and learn about new authors, artists, and ideas that I don't always get exposed to in my regular media diet.
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When people talk about how the Internet has changed the way we travel, they typically lament the way our compulsion to document removes us, somehow, from the actual experience.
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The speed with which modern society has adapted to accommodate the world's vast spectrum of gender and sexual identities may be the most important cultural metamorphosis of our time.
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The rise of the social web promised a new era of personalization for globe-trotting. But like many things born online, as popularity of the new tools increased, efficiency and usefulness began to decrease.
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There is no picturesque version of what self-care looks like; it's different for every person who wants to practice it.
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Although drag has a long cultural history in America, it remained largely underground till the late 1980s.
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Matching tattoos don't ensure the longevity of a friendship, any more than any other mutual hardship.
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Our phones don't just keep us in touch with the world; they're also diaries, confessional booths, repositories for our deepest secrets.
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When I was a kid, 'Quantum Leap' was one of my favorite TV shows.
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We may have a tacit understanding of how our solar system works, but watching the sun disappear behind the moon reminds us of the vastness of space and the enduring mysteries of the universe we inhabit.
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Getting a tattoo is arguably one of the most insane decisions a sensible human can make.
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Wellness, I came to realize, will not happen by accident. It must be a daily practice, especially for those of us who are more susceptible to the oppressiveness of the world.