Jenna Wortham Quotes
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It took me years to find a program that kept me in shape: Gyms felt intimidating, and women's magazines seemed tailored for toning the bodies of already trim white women.
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Thinking about Amazon's restraints - the company has never tried to introduce a social network or an email service, for example - you can understand something about the future Amazon seems to envision: A time when no screen is needed at all, just your voice.
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We are being conditioned, as a population, to never wait, to never delay our gratification, to accept thoughtless, constant consumption as the new norm. But how we think about consumption and willpower carry enormous implications for the environment and the culture of society as a whole.
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The celebrated film critic Pauline Kael once wrote that movies function as escape pods, portals to parallel universes that can be radically different from emotional norms and societal conditioning of our own. What she meant was they parceled out freedom, allowing viewers to lose their selves in an effort to find greater connection to the self.
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As we now know, cyberspace did not liberate human society from pre-existing socioeconomic hierarchies and power structures.
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Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.
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'Drag Race' has become a staple of modern television for the way it skewers expectations and attitudes about gender, much as a show like 'black-ish' works to challenge stereotypes about black families in America.
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Familiarize yourself with the resources at hand to combat online bullying, and report offenders as often as you need to. Don't hesitate to report and block.
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The argument has been made that smart women on screen are already enough of a minority to make up for the lack of women of color. Nope. Not good enough.
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Our contemporary analogues to the personal notebook now live on the web - communal, crowdsourced, and shared online in real time. Some of the most interesting and vital work I come across exists only in pixels.
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As a lonely teenager growing up in Virginia, I fed off any pop culture that could show me different ways of being from what I saw on 'The Cosby Show' reruns or read about in an Ann M. Martin book.
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Online, there is an irresistible social currency to being a user who has thousands of followers, who starts memes, who comes up with an idea that is turned into a movie. But I wonder how comfortable we should be with this arrangement.
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Traditional guidebooks have never quite done it for me. Too often, they seem to be aimed at a certain type of comfortable, middle-class traveler.
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The more films and TV shows I spoil for myself, the more I am convinced that truly interesting stories can't be ruined - the plot thickens with the viewing like a rich sauce.
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In theory, the maturation of the Internet should have killed off the desire for zines entirely.
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The radical power of 'queer' always came from its inclusivity. But that inclusivity offers a false promise of equality that does not translate to the lived reality of most queer people.
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Artists have long urged cultural introspection by creating work that forces awareness of our current political and economic landscape.
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The Internet is pushing us - in good ways and in bad - to realize that the official version of events shouldn't always be trusted or accepted without question.
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Someday, maybe we'll recognize that queer is actually the norm, and the notion of static sexual identities will be seen as austere and reductive.
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Technology can be part of a solution, but it takes far more than software to usher in reform.
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The most moving parts of 'Real American' come when Lythcott-Haims stares unflinchingly at her own self-loathing, writing about the racist encounters of her childhood that convinced her from a young age that there was something inherently wrong with being black.
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Oceans of emotion can be transmitted through a text message, an emoji sequence, and a winking semicolon, but humans are hardwired to respond to visuals.
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The first ghost story I ever heard was from my mother.
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High school is already an academic and social pressure cooker, and the forces that make it stressful are amplified for queer students.