Jenna Wortham Quotes
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There's a lot of paranormal activity in my family. Whether it is more than most other families is hard to say, but we seem to have more than most.
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The types of ideas protected by intellectual-property law typically don't include a clever catchphrase on a Vine or a film idea in a tweet.
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We are being conditioned, as a population, to never wait, to never delay our gratification, to accept thoughtless, constant consumption as the new norm. But how we think about consumption and willpower carry enormous implications for the environment and the culture of society as a whole.
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I'm not ashamed to admit that for many years, most of my fitness information came from a VHS series by MTV called ''The Grind Workout.''
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Traditional guidebooks have never quite done it for me. Too often, they seem to be aimed at a certain type of comfortable, middle-class traveler.
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Oceans of emotion can be transmitted through a text message, an emoji sequence, and a winking semicolon, but humans are hardwired to respond to visuals.
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Obama routinely pushed policy that pleased the tech-savvy, including his successful effort to keep broadband suppliers from giving preferential treatment to bigger web companies over individuals.
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In theory, the maturation of the Internet should have killed off the desire for zines entirely.
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The celebrated film critic Pauline Kael once wrote that movies function as escape pods, portals to parallel universes that can be radically different from emotional norms and societal conditioning of our own. What she meant was they parceled out freedom, allowing viewers to lose their selves in an effort to find greater connection to the self.
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The most moving parts of 'Real American' come when Lythcott-Haims stares unflinchingly at her own self-loathing, writing about the racist encounters of her childhood that convinced her from a young age that there was something inherently wrong with being black.
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Once, at Thanksgiving, a neighbor wandered in while my cousin Lisa worked on a turkey, shearing meat off its frame and sliding the steaming slices onto a big flowered plate. 'Hey, that's the man's job,' she yelped, in between slurps of her Big Gulp. No one even paused to acknowledge the comment; everyone just laughed and laughed.
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Online, there is an irresistible social currency to being a user who has thousands of followers, who starts memes, who comes up with an idea that is turned into a movie. But I wonder how comfortable we should be with this arrangement.
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Someday, maybe we'll recognize that queer is actually the norm, and the notion of static sexual identities will be seen as austere and reductive.
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As we now know, cyberspace did not liberate human society from pre-existing socioeconomic hierarchies and power structures.
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Technology can be part of a solution, but it takes far more than software to usher in reform.
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As a lonely teenager growing up in Virginia, I fed off any pop culture that could show me different ways of being from what I saw on 'The Cosby Show' reruns or read about in an Ann M. Martin book.
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Established technology companies like Amazon, Apple, and Google have expanded their reach and influence throughout the world. And while many countries have pushed back against that spread, our government has essentially left them alone.
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Artists have long urged cultural introspection by creating work that forces awareness of our current political and economic landscape.
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The Internet is pushing us - in good ways and in bad - to realize that the official version of events shouldn't always be trusted or accepted without question.
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Our contemporary analogues to the personal notebook now live on the web - communal, crowdsourced, and shared online in real time. Some of the most interesting and vital work I come across exists only in pixels.
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'Drag Race' has become a staple of modern television for the way it skewers expectations and attitudes about gender, much as a show like 'black-ish' works to challenge stereotypes about black families in America.
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The more films and TV shows I spoil for myself, the more I am convinced that truly interesting stories can't be ruined - the plot thickens with the viewing like a rich sauce.
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The first ghost story I ever heard was from my mother.
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I'm partial to a Muji recycled-paper sketch book and a Sharpie ultrafine marker.