Jenna-Louise Coleman Quotes
Quotes to Explore
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Many people thought I would never succeed, because I am so Russian. So Russian, hundred percent.
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One thing about playing the real jazz is that you can't count it.
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Life moves fast. As much as you can learn from your history, you have to move forward.
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Two hundred years ago, our precursors in Haiti struck a blow for freedom, which was heard around the world, and across centuries.
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God takes care of imbeciles, little children and artists.
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I don't think it is so difficult to solve the problems between Cuba and the United States; it all depends on whether there is a dialogue, a discussion, or if the prejudices and hatred of people like the extremists and terrorists from the Cuban community, who try to impose their policies, prevail.
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Every designer needs a story. Mine is all about glamour because my family has been in the business of glamour for three generations. My grandfather Shamshuddin Khan started his embroidery and fabric-making business in the 1930s.
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I love physical kinds of comedy and getting down and dirty and doing stunts. When I was growing up, I was always getting into fights with guys and usually punching out boys my age because I was a lot bigger and tougher. So I'm naturally accustomed to putting myself into the headspace of a girl who can take care of herself.
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Constrained circumstances can bring the best out of you.
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I made nothing happen very slowly.
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I'm a terrific mimic, and you can feel my funny bone.
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Sometimes it's more difficult to achieve a 10% cost reduction than it is to tell people they have to achieve 50%. Small incremental steps block your view of doing something fundamentally different.
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The industrial thing came about mainly through giving up trying to write pop songs in the early '90s. I don't think I was ever very good at pop music and as soon as I stopped trying, and started to write more the things I loved, it became much heavier and more aggressive.
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It's grueling never knowing if the audience is going to think you're funny. It's soul-destroying when they don't laugh.
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I had the benefit of watching good people show me what it really is to be an actor – the day in and day out of it.
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People often ask me, was it hard to play this person or that person? Well, no, not really. Acting is what I do. It's my job.
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The money was going to come and go, between a wife and the IRS. The thrill of beating the best field in golf is what will always stay with me.
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Marriage takes work - it doesn't just happen.
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It became clear I wanted to be a development economist. I mean, I said I wanted to work on the economics of poor countries. And I'd actually say that I don't think that was so much about narrowing the gap as about increasing their incomes, which means economic growth, which is really my prime interest.
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Manners make the world work. They're not only based on kindness but also efficiency. When people know what to do, the world is smoother. When no one knows what to do, it's chaos.
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There's been a progression in my sound.
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Big Bird went through his very human kind of struggles as a child. No other children's character has been that complete and detailed.
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I always felt caged, closed in, like I was punching at things that weren't there. I always had too much energy for the room I was in.
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I'd love to work across all three fields - theatre, film and TV.
