Jennifer Egan Quotes
The part of the process that's exciting to me is feeling like I'm in a place I've never been before, in every way. Without that, I don't know if I'd be a writer.
Quotes to Explore
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Since 9/11, there has been a huge leap in people wanting to get personally involved in public service and international affairs.
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I live in a landscape, which every single day of my life is enriching.
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The soul is part of the body. The mind is part of the body. When folks do physical violence to black people, to black bodies in this country, the soul as we construe it is damaged, too - the mind is damaged, too.
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I love singing. It's who I am. When I act, I take a small part of myself and just magnify it, but when I'm singing, that's who I am. I don't write music, so I choose songs that I would have written.
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I think about food literally all day every day. It's a thing.
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It's human nature to not say everything that's on your mind at the time you think it. Because we fear saying something that people will laugh at, people will think is dumb. We're afraid of being embarrassed.
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The market for local advertising is in the billions.
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Sometimes when you're a songwriter, you kind of have this egotistic thing: you just want to write something that you love, and you don't care about if people like it or not, but personally, I want to write something that people can jive to.
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I had a thick accent, and people didn't understand me, and I was ashamed, and I fumbled. I radiated an uncertain energy; sometimes baristas sensed this and wouldn't try to talk to me, and then an insecure voice in my head would cry, 'He's racist!'
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I certainly love doing comedy and feel most comfortable near it.
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Cyclists need to help themselves and should not jump red lights. I would ride in London, but I certainly wouldn't ride like that; you just have to be careful. I can understand going down the outside of traffic, but you should obey the rules of the road because we're all road users.
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If I leave this sport, I think life will stop.
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I had a strong vision for 'The Best Man Holiday,' so I was able to translate that to the actors and ultimately to the screen. Things can't get too heavy or too outrageously funny; it has to strike a balance. Tone is everything. If you've set the right tone, you can get away with a lot of stuff. You can get away with making people cry.
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I established a certain standard of behavior, that, during my playing, there must be no talking.
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I think the phrase that resonates from 'Just One Year' is something I sort of live by: 'The truth and its opposite are flip sides of the same coin.'
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Our music comes from our hearts - and it always has.
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Cotton was a force of nature. There's a poetry to it, hoeing and growing cotton.
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It's not my job to get really personal in how I express myself. I've met fans, and they've been lovely. But letting my personal life out there, I don't think is a good idea for me. I think the more you do that, the more you can be accused of encouraging that kind of attention.
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I'd heard stories about business managers who lost their client's money. My feeling was that if I made any money, I wanted to lose it myself, to be the author of my own demise.
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It is thus only this personal feeling of misery that we get rid of by acts of pity.
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My intention here is to make it clear that not a single cell of my composition, here in regard to The Raven, is found by chance or intuition, that the composition moved towards perfection with the precision and inevitability of a mathematical equation.
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You have to get it in your brain that you don't belong to yourself as an actor, but that you belong to the director who creates the character.
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The part of the process that's exciting to me is feeling like I'm in a place I've never been before, in every way. Without that, I don't know if I'd be a writer.
