Jennifer Egan Quotes
It's the feeling of being lifted out of my life into another world that is the thrill of writing fiction.
Quotes to Explore
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Training for a fight is never easy, regardless of the opponent.
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Every time I see an adult on a bicycle, I no longer despair for the future of the human race.
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What clients are really interested in is honesty, plus a baseline of competence.
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I am going to change the world, and I'm talking to everybody in the possible world that I can get to that can help me to do that.
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When I'm dancing, I don't know where the confidence comes from, but I just pretend I'm someone else, I think, and then I go out and dance.
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It works both ways: there are victims of tragedy who come to me who have experienced grief of such magnitude that they cannot reconcile. Likewise, I cannot change the mentality of those who committed the crimes or the fools who followed them.
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If you keep saying things are going to be bad, you have a good chance of being a prophet.
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When an issue is so fraught with partisanship, a special counsel provides some modicum of transparency and accountability rather the the veil of politics.
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I grew up in a suburb of Ohio, in a small town, and I resonated with that small-town feeling where everybody knows your business.
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By the end of 2020, the only region of the world that will still have a lot of 2G connections may be Africa.
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There is no black-and-white situation. It's all part of life. Highs, lows, middles.
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Originally, I was against gay marriage because I was opposed to all marriage, being an old-fashioned gay bohemian. The straight people I knew in the sixties were very much opposed to it. I was, too, and it was never a possibility for gays, but when I saw how opposed the Religious Right was to it, I thought it a fight worth fighting.
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Dancers, many dancers today can do so much technically. You can give them steps that are complicated, then more complicated, pyrotechnical - and they can execute these steps to perfection. But to do simple steps with a pure classical line, that is truly difficult.
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What people say behind your back is your standing in the community.
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I get the feeling that people from outside the world of contemporary art see it as deserving of mockery, in an emperor's-new-clothes sort of way. I think that's not right and that it's just because they don't understand the discourse. The art world is filled with vibrancy.
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I'm pretty, but I'm not, like, a 'pretty girl.'
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I'm not big on Champagne, but I'd take along a bottle of Cristal to pop for when the boat comes to the rescue.
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What I've learned over the years is that focus and singular purpose is the best approach for businesses.
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I had to learn to dance for 'The Adjustment Bureau' and it was nearly impossible. I turned up with my knees knocking in my leotard and went home and cried my eyes out.
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It's going to be labor-intensive and time-consuming, but you need to take all the books down and put them on the floor. Take them down and spread them in one area. Physically pick each book up, one by one. If the book inspires you, keep it. If not, it goes out. That's the standard by which you decide.
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With 'Hannibal,' I just really want people to feel something.
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Whatever our creed, we stand with admiration before the sublime character of Jesus.
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It's hard to generalize about that subject because the women I've worked with have all been so different. But if there's one consistency, it might be that you do have to handle yourself differently on a set. Women can be more emotional - at least they sometimes show it more.
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It's the feeling of being lifted out of my life into another world that is the thrill of writing fiction.
