Jennifer Egan Quotes
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If you read novels of the 19th century, they're pretty experimental. They take lots of chances; they seem to break a lot of rules. You've got omniscient narrators lecturing at times to the reader in first person. If you go back to the earliest novels, this is happening to a wild extent, like 'Tristram Shandy' or 'Don Quixote'.
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Music makes time fall away like almost nothing else. You hear a song from another moment of your life, and it really is like you're still there.
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I'm partial to epic poetry, which might be surprising given that I don't write poetry at all. The combination of rollicking storytelling with musical language seems to me the highest achievement.
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Technology makes everyone feel old. A laptop is old after two years. Someone always has something newer. Everyone seems to feel obsolete now, even the young.
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After 9/11, the U.S. seemed vulnerable for the first time in a long time. We were no longer the superpower that no other country could touch. I thought, 'When and how did that dominance begin?'
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I grew up thinking you're either a winner in the world, or you're not. I presumed I was not. I had no reason to think I would be, and my inclination is towards self-deprecation. I wish I'd known no one was judging my every move, but I'm still like this!
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I find myself thinking more about the past as I get older... maybe because there's just more of it to think about. At the same time, I'm less haunted by it than I was as a younger person. I guess that's probably the ideal: to reach a point where you have access to all of your memories, but you don't feel victimized by them.
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I love how close New York is to Europe; I love the seasons, and I don't think I could live without them. They're the way I track the passage of time.
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That American confidence is more alive and well than it should be, to this day. But it's such a problem. There's a blindness to that confidence, a presumption that what's good for me is good for you. No! That's what teenagers think: the world revolves around them. As a nation, we've got to stop thinking that way. We're getting too old for that.
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The part of the process that's exciting to me is feeling like I'm in a place I've never been before, in every way. Without that, I don't know if I'd be a writer.
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In a way, I started 'Goon Squad' not even realizing I was writing a book. I thought I was just writing a few stories to stall before starting this other book that I wanted to write - or thought I wanted to write: I still haven't written it.
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You can start imagining all kinds of things characters would feel, but you have to have a sense of whether those imaginings might be right.
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I don't really know where my ideas come from. I start with a time and a place. That's what I need to get started, and an intellectual question.
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I grew up in the 1970s, and my friends and I felt very keenly that we had missed the '60s. We were bummed out about it.
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Like many people of my generation, I feel like I survived my adolescent mischief only by a miracle, and it seems too much to hope for that the same miracle would befall my children - therefore, I want to make sure they take fewer chances than I did.
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When I'm not writing, I feel an awareness that something's missing. If I go a long time, it becomes worse. I become depressed. There's something vital that's not happening.
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I write totally spontaneously. I actually write fiction by hand - that always seems to startle people. I think the reason I do that is to bypass the thinking part of me and get to the more unconscious part, which is where all the good ideas seem to be.
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It's not that I sit down and write great stuff without thinking, not at all. Most of it is terrible. But the stuff that feels fun and fresh to me tends to happen fairly unthinkingly.
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I knew as far back as 2001 that I would write a book called 'A Visit From the Goon Squad,' though I had no idea what kind of book it would be.
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One area I have a huge amount of trouble in is writing about myself. I get a heavy, almost depressed feeling.
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I think a playful critique is good for all of us, and that's basically how I see satire functioning. But I'm not interested in a kind of contemptuous satirical vision; I try always, even when I'm knowingly being satirical, to also be humane, but I mean, let's face it: there's plenty in American life to make fun of, and we all participate in it.
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One futuristic novel that had a huge impact on me was Mary Shelley's 'Frankenstein,' which is kind of science fiction plus Gothic.
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The sheer sensory experience of San Francisco is unlike anywhere else. Not just the physical beauty, but the textures, the feel, the wind, the ocean. It's a monumental feeling unrivaled by anywhere else. Its a world class, gorgeous city. And the coffee is great.
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I write to escape from my life. Writing about men separates 'me' from my work in a way that I find comforting.