Jennifer Egan Quotes
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I haven't had trouble with writer's block. I think it's because my process involves writing very badly. My first drafts are filled with lurching, cliched writing, outright flailing around. Writing that doesn't have a good voice or any voice. But then there will be good moments.
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One futuristic novel that had a huge impact on me was Mary Shelley's 'Frankenstein,' which is kind of science fiction plus Gothic.
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I'm just interested in serialization in fiction. I'm fascinated by it. I love the 19th-century novels. I'm interested in ways to bring that back to fiction.
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I listened to classic rock and roll, and punk rock. 'Goon Squad' provides a pretty accurate playlist of my teenage years, though it leaves out 'The Who,' which was my absolute favorite band.
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I felt more doubtful than usual with 'Goon Squad,' because I knew that the book's genre wasn't easily named - Novel? Stories? Novel-in-stories? - and I worried that its lack of a clear category would count against it. My hopes for it were pretty modest.
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'Look at Me' started with Rockford, Illinois and New York and the question of how much image culture was changing our inner lives. That's an abstract idea; you don't think that's going to be a rocking work of fiction, but it seemed to fuse in a way that was interesting.
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Between books, I have to throw out everything I did before, because the tools I've used to write the previous book will not only not work for the next project, they will ruin it.
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Reading is a lot like eating for me: If I try to read a book I'm not hungry for, I won't enjoy it, but if I wait until I have a real appetite for something, I'll devour it.
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Proust, my big inspiration for 'Goon Squad,' uses music a lot in his novel, both in terms of plot and structure. I liked the idea of doing the same thing, which is one reason I structured 'Goon Squad' as a record album, with an A side and a B side, that's built around the contrasting sounds of the individual numbers in it.
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I haven't read a lot of science fiction, and I never intend to write it; it seems to happen a little bit inadvertently for me, in that I'm trying to follow people into points in their lives that demand that I investigate the future.
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I was on a very bumpy plane ride, an overnight flight. I was so miserable, and I pulled out 'David Copperfield,' and I forgot how scared and tired I was, and I thought, 'This is what reading should be.' I'm utterly transported out of my current situation.
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If you don't have people that the reader cares about and stories that are gripping, you've got nothing.
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I learned you have to move fast, writing futuristic satire in America: Before you know it, you're a realist!
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As a journalist, I have wanted very much to find a way to write about the music industry, and it's been frustrating to me that that's never worked out.
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I think, for one thing, all of us remember those teenage years and those songs that we fell in love with and the music scene that we were part of. So, in a certain way, music cuts through time like almost nothing else. You know, it makes us feel like we're back in an earlier moment.
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I have a tendency to coddle my sons because I want to keep them safe, but I also want them to be strong and independent and curious and bold, and I worry that my coddling is going to have exactly the opposite effect.
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I've tried writing on a computer thinking it would make me more efficient, but if you're writing crummy stuff, being efficient is no help.
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The book that is the closest genetically to 'Goon Squad' is 'Look at Me.' It has the futuristic element - although, freakishly, almost every aspect I invented has come to pass in some way, including the terrorist who fantasies about blowing up the World Trade Centre. That was extremely uncomfortable. The book came out on the week of 9/11.
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One of my strengths as a writer is that I'm a good problem-solver. I write these unthinking, ungoverned first drafts. The project for me always is to turn that instinctive stuff into pages that work.
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I'm not a technophobe, but I'm pretty old fashioned.
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I grew up in the '70s, when people talked on the phone - and just talked more. I remember the phone was the epicenter of our house. I spent hours every evening as a teenager waiting for the phone to ring and talking to my friends.
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What lists and awards don't measure - and I feel this strongly - is the lasting value of any work of art. They're a snapshot of a moment, and one should always consider their judgments in that context.
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Americans are less selfish than some of our politicians believe and will respond with reason and resilience to passionate clarity.
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My first attempt at writing a novel was horrible. I had to throw it away. But I stuck with the idea, which is what became 'The Invisible Circus.'