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In terms of rock and roll, I'm often drawn to louder, rougher stuff; maybe that's my history as a punk rock wannabee showing itself! Honestly, though, I'm not one of those people who listens to music constantly. I really love silence.
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I had this idea that I could hire myself out as a person to go on archeological digs and dig, without any training! I actually wrote to a number of archeology departments and offered up my services.
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I have a hatred of familiarity. If I feel like I am doing something I've done before, it feels old and done. I feel I have no choice but to strike out in directions that feel new - anything less just doesn't seem worth it.
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I don't really begin with ideas about genre. I certainly wrote a gothic novel, 'The Keep,' that conformed to and, in some ways, played with every convention I knew of to work with in the gothic, but the way I came to it was very instinctive and visceral.
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Comparison is painful. Don't be cowed by other people's pretty pictures. When you feel unimpressive, or irrelevant, that has nothing to do with what you're actually capable of.
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I love the infinite variety of New York, how it's the epicenter of so many worlds.
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I hope to keep writing journalism as long as I write fiction; it's afforded me such amazing adventures and opportunities. It does take a lot of time, so it's hard to do both at once, but I try to do a big journalism piece every couple of years, and I'll hopefully continue with that.
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I am at my worst trying to write about things that overlap with my life.
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As a reader and a writer, I'm happiest when apparently mutually exclusive states can somehow coexist.
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If you can write any way and it's working out, just bow down in gratitude.
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When I had my first child, I didn't write for a year, and I felt when I tried to start again I might actually not be able to do it anymore. I really could not do it well, and I felt out of sorts with it.
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There are a lot of writers who find a groove and spend a career mining that vein. I seem to be exactly the opposite.
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I'm obsessed with the Victorian novel. I can't help it. I feel like the novel then was so powerful and agile in ways I'm not sure it is now.
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The bottom line is that I like my first drafts to be blind, unconscious, messy efforts; that's what gets me the best material.
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I often felt like that Mr. Magoo figure in the cartoon, who just wanders through traffic, and somehow it never hits him. I kind of feel that way about my whole childhood: Why do I have a normal life?
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When I was little, I wanted to be a doctor. I was really interested in gore. My grandfather was an orthopedic surgeon and he had a lot of books in his library that I would just pore over. A lot of them had really horrible pictures of deformities.
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Sometimes I'll watch teenagers and find myself not quite believing I'm older than they are - even wondering, delusionally, if they can see any difference between us.