Jennifer Lawrence Quotes
I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.
Quotes to Explore
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I'm afraid one thing - I don't like heights. Heights bug me out. I'm not cool with heights. I refuse to do a comedy show 12 stories up. I'm fearless about everything else.
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The poem 'What Teachers Make' is not without its detractors. This one person wrote to me and said: 'Gee, Mr. Mali. You don't possibly have a teacher – God complex, do you?' And that was the first time I'd ever heard of that expression. So, yeah, I'm sure I have a teacher – God complex.
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I never was for telephones. Just don't like them, that's all. Anybody wants to talk to you, they can come to see you.
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The making of documentaries for 'Humanoids From The Deep,' 'Galaxy Of Terror' and 'Forbidden World' are absolutely fascinating.
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Insight enables you make sure you don't allow negative beliefs to get permanently set in your thinking - just the same way you wouldn't want fractured bones to be permanently set into place.
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As long as I have my health, I want to be reporting somewhere.
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I didn't want to be a slave to any passion anymore. I gave up card playing altogether, even bridge and gambling - more or less. It took me a few years to get out of it.
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Female adolescence is - universally - an emotionally and psychologically intense period.
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When I first started out as a young journalist, I know that on at least two occasions, when I walked into a newsroom, I knew I was replacing the black person in that job.
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I don't like baseball movies. I like movies about moral courage and people who are indomitable and courageous and right.
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What is our greatest enemy? Segregation.
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Politics is a herd mentality. Politicians don't really lead. Politicians reflect what they think is consensus opinion.
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'Vanity' means worthlessness.
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I was from a tough neighborhood, and we didn't have a lot of money, but my dad worked hard, and my mom is good at budgeting things. That made me appreciate things.
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First of all my real full name is Lloyd Vernet Bridges III.
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I love the color pink. It makes a bold statement.
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We are all Julian Assange. Serious reporters discuss classified information every day - go to any Washington or New York dinner party where real journalists are present, and you will hear discussion of leaked or classified information. That is journalists' job in a free society.
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I've written a screenplay that is a series of monologues and songs; they form this sort of human tapestry across time and place. The form is strange, but I find it really fascinating.
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In 2017, people have realized there isn't going to be one crypto to rule them all. You're seeing vertical solutions where XRP is focused on payment problems, Ethereum is focused on smart contracts, and increasingly, bitcoin is a store of value. Those aren't competitive. In fact, I want bitcoin and Ethereum to be successful.
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I have, obviously, a very complex relationship with the more industrial side of filmmaking and the machinery that can take an actor or an actress and create something so bamboozling and monumental and fathomless in terms of publicity hits.
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Love, to the inferior man, remains almost wholly a physical matter. The heroine he most admires is the one who offers the grossest sexual provocation; the hero who makes his wife roll her eyes is a perambulating phallus.
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The president did not urge Ms. Lewinsky to conceal the gifts he had given her, and of course, he did not lie to the grand jury about that subject.
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Courageous dreaming allows you to create from the source, the quantum soup of the universe where everything exists in a latent or potential state.
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I couldn't be happier about being a part of 'Hunger Games' and to play Katniss. I have a huge responsibility to the fans of this incredible book and I don't take it lightly. I will give everything I have to these movies and to this role to make it worthy of Suzanne Collins' masterpiece.
