Jennifer Morrison Quotes
Quotes to Explore
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In a movie, you're raw material, just a hue of some color and the director makes the painting.
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Wes Craven's 'Shocker' is one of my favorite soundtracks. I don't know where that movie stands in the critical eye of cinema, but it was a really fun movie because of all the bands that were part of it.
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You can get money and make a really cheap movie. You can, from independent financers who are just giving you money to support artists. This is what was happening in the '90s, and I was very fortunate to be a part of that.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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I've seen the Pokemon movie, which is probably the worst movie ever made on any subject ever.
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The line between anime and regular animation is very difficult to cross, even for people who have been doing anime successfully for years.
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The first movie I can remember seeing in the theater was 'Return of the Jedi.' I can remember seeing Darth Vader's helmet come off. The shock of that moment.
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I couldn't spell anything. I couldn't remember anything, but I could go to a movie and I knew who starred in it, who directed it, everything.
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That's the joy of making a movie: watching all the elements come together.
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I fell in love with the whole process of making a movie. I loved the sets. I loved watching the actors and the crew.
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Actors get pigeonholed very quickly, particularly movie actors. In the theater, one is more used to casting people against type and trusting that their talent and skill will get them through.
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Then if your movie clicks with real audiences, you'll be sucked into some sort of Hollywood orbit. It's a devil of a place where the only religion that really counts is box office.
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I always wanted to do a Disney movie.
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I would never try and do a remake off a movie. I think that's a whole different thing. I think everyone will always remember the first movie, and they will always compare it with the second one.
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Irvin Kershner, no matter what anyone says, has done some great work. 'Eyes of Laura Mars' is an incredible movie.
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When I'm actually assembling a scene, I assemble it as a silent movie. Even if it's a dialog scene, I lip read what people are saying.
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I think one of the reasons 'Gremlins' lasts and some other films don't is because I don't think the movie has a whole lot of dated things - sure, the cars, my hair, and few things here and there that date the movie - but it takes place in a sort of everytown, in a sorta non-specific time, and that gives the movie a timeless quality.
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Even though 'Spider-Man' is a huge blockbuster, it really didn't feel like that. It felt like we were making this weird, funny high school movie. Like just hanging out with a group of friends.
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Commercial books don't even get covered. The reason why so many book reviews go out of business is because they cover a lot of stuff that nobody cares about. Imagine if the movie pages covered none of the big movies and all they covered were movies that you couldn't even find in the theater?
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I think Bob Odenkirk is phenomenal.
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What's real? What's not? That's what I do in my act, test how other people deal with reality.
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Even as one and the same person is called by different names according to the different functions he performs, so also one and the same mind is called by the different names: mind, intellect, memory, and egoity, on account of the difference in the modes - and not because of any real difference.
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I don't think my wheelhouse is comfortable in Wall Street. My wheelhouse is small-town America.
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My favorite movie ever is 'Bicycle Thieves.'
