Matthew Sweet Quotes
When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
Quotes to Explore
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What's great about stand-up is that you can say whatever you want and go around the country, and sometimes the world, and work on it and see how people react. You don't need Standards & Practices or notes from lawyers or producers to tell you what's funny.
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I'm not anti-middle-class in the slightest. Look at me! I am very pro people putting time and money and effort into trying to improve the world.
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I may be helping to bring harmony between people through my music.
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It's definitely weird, because pretty much everybody owns the Tony Hawk videogame. Just going over to people's houses and watching play me as I walk in – that's actually happened a few times and that's so weird. It's like, 'Dude, you're playing me right now.' It was too weird.
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Our parents were really, really grounded people but also really ambitious people, meaning they saw our ambition and were willing to help us chase it.
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If you're having a down time at school and people are bullying you, they don't know you. They don't have the right to have an opinion on you.
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I went to Yugoslavia to make a movie. People saw me there and asked me to do a movie in Germany. And that led to a movie in Italy. Before I knew it, I was in Europe for most of the next 10 years.
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We are all several different people. There are different aspects of our nature that are competing.
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Working with great people makes you great; you learn a lot and it also gives you the experience and confidence to move on with your own career.
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If you work hard in real life, people tend to get in your way - either from inertia or prejudice - and they stop you achieving things. It's the worst thing about real life compared with sports, where you generally get what you deserve: if you're the fastest guy, you win; there are no other games being played.
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Music is really something that makes people whole.
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It caused more problems as a young kid, because the simple process of perceiving words on a piece of paper was hard for me. Many people think dyslexic people see things backwards. They don't see things backwards.
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I don't have many easy songs.
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I think the rigors of a TV schedule are brutal and 'Six Feet Under' wasn't a network schedule. We did 13 shows, we didn't do 22. I don't know how people do that. I really don't. I mean the shows are shorter, but wow, it's quite a discipline.
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If you go to Norway, Finland, Russia or Australia, you'll see Xerox or Fuji-Xerox people, not just the name on the door. We have human beings who live and work and serve customers everywhere around the globe.
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Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.
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I'm not one of those people who needs that gratification of doing, like, 10 films a year.
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I've had people break into profiles on my Internet; they got into my accounts. This was at the beginning of my career. There is a fair bit of alarm when something like that happens. It definitely bothered me a lot at the time. But you move on from these things.
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I think maybe short stories operate in some of the same ways that poems do. They frame single or small moments and elevate those. They give you insight into more minor dramas maybe, dramas between smaller groups of people.
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Every time you go in, it's like starting over. You don't know how you did the other records. You're learning all over. It's some weird musician amnesia, or maybe the road wipes it out.
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Every time that I'm in the dark, I imagine what might be lurking in the shadows. It's kind of like a drug in that way - darkness seems to change the way I think - making me way more prone to fear.
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I know the exploding cost of health care is at the root of our long-term fiscal challenges.
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A lot of comedies in the 1980s and 1990s had all these colors and were so brightly lit. But John Landis had this dark style, like a Scorsese film.
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When I go to Japan and do shows I play for 1,000 to 1,500 people. I like a lot about Japan. Their popular culture and mass commercialization appeals to me.
