Jennifer Weiner Quotes
My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
Quotes to Explore
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With the release of her fourth album, 'Red,' in 2012 and a handful of highly publicized romances, Taylor was criticized by the press and other entertainers for such sinful acts as dating people and writing songs about it, gaining a reputation as boy-crazy and love-ridden.
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I like to work all the time and really immerse myself in the project.
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Too much work, too much vacation, too much of any one thing is unsound.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!
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You don't have to buy from anyone. You don't have to work at any particular job. You don't have to participate in any given relationship. You can choose.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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It is very difficult to work in another language, and it is also very challenging.
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I was told that when I'm dancing, I give off the feeling of a rainy day.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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We need to incorporate that age-old concept of redemption into the work that we do in the criminal justice system in California.
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I've never seen hard work fail.
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I love that I love my job, and from what I'm told, that others who I work with do, too.
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I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
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Every really able man, in whatever direction he work,-a man of large affairs, an inventor, a statesman, an orator, a poet, a painter,-if you talk sincerely with him, considers his work, however much admired, as far short of what it should be.
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For a long time, I missed being in the courtroom every day. I missed trial work. It was so much a part of my life. It was what I did and who I was. But over the years, I did find the opportunity to realize my childhood dream of writing crime fiction.
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You know how it is in L.A. You go to restaurants at four in the afternoon, and they're packed because everyone is an actor, and no one is working.
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There is no one who cannot be hated, against whatever odds. Nor anyone who cannot be loved, against all reason.
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Politics isn't about left versus right; it's about top versus bottom.
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My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
