Jennifer Weiner Quotes
My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
Quotes to Explore
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With the release of her fourth album, 'Red,' in 2012 and a handful of highly publicized romances, Taylor was criticized by the press and other entertainers for such sinful acts as dating people and writing songs about it, gaining a reputation as boy-crazy and love-ridden.
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I like to work all the time and really immerse myself in the project.
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Too much work, too much vacation, too much of any one thing is unsound.
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I read my books to writing workshops and friends, and I'm often focussed just on keeping them entertained. I never think about marketing at all.
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The key is that I'm trying to keep growing and trying to keep learning and deepen my connection in every way, in my life, in my work. That's what I do when I look at a role.
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The most overrated tool: a pasta maker. Why make it when you can buy it? It's a lot of work!
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Whenever I get an audition to do something that is sci-fi-related, it makes me really happy because I realize that I can continue doing the work that I'm doing and continue meeting people all over the world. It does baffle my management team sometimes, though!
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You don't have to buy from anyone. You don't have to work at any particular job. You don't have to participate in any given relationship. You can choose.
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I'm not sure how to describe my style. A lot of my work is dark and looks a bit sad, which is strange because I'm such a smiley, over-the-top positive guy who wears gold shoes most days.
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It is very difficult to work in another language, and it is also very challenging.
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I was told that when I'm dancing, I give off the feeling of a rainy day.
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I'd like to do some crazy art installations and design some weird synthesizers and work with other people and make some fun stuff for a bit. Maybe tap into virtual reality stuff or maybe write another record... We'll see.
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Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
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I really do feel now that the way I dress onstage and for work is a true reflection of my own sense of style as well.
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We need to incorporate that age-old concept of redemption into the work that we do in the criminal justice system in California.
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I've never seen hard work fail.
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I love that I love my job, and from what I'm told, that others who I work with do, too.
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I felt like my favorite writers have almost musical hooks in their work, whether it's poetry or a hook at the end of a chapter that makes you want to read the next one. And I think that my favorite writers definitely have something musical about what they do, in saying something so relatable and universal and so simple.
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If someone who knows what's going on comes up and says they liked the music, I appreciate that.
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I did a drama degree, went to secretarial college, then got a job with a theatre company in Birmingham. It's been a slow burn, which doesn't seem to have gone out.
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Go with what you're attracted to.
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Being a professional screenwriter is perhaps the hardest occupation. Because nothing is ever yours and, by the nature of the medium, you are never ultimately responsible for your work. It can be interesting - if you have another outlet.
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My feeling about my own work is, I could be writing 'The Aeneid' and they would still have to call it chick lit or mommy lit or menopausal old hag lit.
