Pontus Hulten Quotes
Paris is an ideal place to become informed, while Venice is a place to think and write.
Quotes to Explore
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This is precisely why you choose to run for office and get elected. You're asking the people to let you be their voice. I don't think there is a more powerful and intense experience than the opportunity to be the voice of the 307 million people living in this country.
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For about 175,000 people, Chiranjeevi Blood Bank has supplied blood for free in times of emergency. This is because of the service-oriented attitude of Mega fans.
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The voters of Colorado deserve honest, straight-talking elected officials.
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Some smart man once said that on the most exalted throne in the world, we are seated on nothing but our own arse.
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I've been working with Global Zero. They are a great organization leading the resistance against nuclear war and the elimination of nuclear weapons.
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If you're not bruised up, then you're not doing an action film in a real way.
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I like to laugh and make people have fun.
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I love my parents. But they have their life, and I have mine.
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I'd love, love, love to do a comedy. I can't imagine being on set and being happy and cheerful. That seems so foreign.
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I believe in music.
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The first thing you need to know, in order to establish some perspective and avoid panic, is that the violent government excesses we're seeing today are far from unprecedented.
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Most of my best games were when I felt crap - I could hardly move on the morning of the World Cup semi-final in 1990 - but there's a thing called adrenaline that gets you through.
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For my part, I make this pledge to all of you: The politics of division, of pitting east against west, urban versus rural, region against region, and people against people will have no place in my Administration.
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Going back to my film education, I always have that voice in my head that's always screaming, 'Sell out!' And that's good: you want that, because it keeps you on your toes, and it's important to remember what's actually important.
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I am mostly a pretty worried person. In conversations, I am always worried about what to say.
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I always collect images, maybe because I was working with historic material - but even if I were working with contemporary material, I would do the same thing. I keep a kind of index of them while I'm working. I find them incredibly useful, not so much to illustrate a time, but to give some sense of the feeling of a time.
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New York for me is about work. If L.A. were to become a West Coast version of that, I'd shoot myself. The climate, the lifestyle - it really fits as the yin to my New York yang.
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I didn't do drugs. It wasn't my thing. But the drink was terrible. Today when I look back, it's like I was another person. You could call it a coping mechanism, but that would be an excuse. I just drank too much.
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I need the lightness of children's lit.
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When I don't have any ideas, I pick up fabric and start working with it and something happens.
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It sounds ghoulish, but it would have been fascinating to be in Paris in 1789 and watch the revolution begin. I can't even imagine what the energy must have been like that year with all of that change crackling in the air.
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Pop music has been all but relegated to the remainder bin at MTV and VH1, where high-maintenance concoctions such as Paris Hilton, Flavor Flav, and Hulk Hogan's biohazard clan of bleached specimens provide endless hours of death-hastening diversion.
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If I have some free time, I leave Paris with some books about the cinema. If I'm not filming, I'm watching films.
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Paris is an ideal place to become informed, while Venice is a place to think and write.
