Jerry Della Femina Quotes
Quotes to Explore
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If it weren't for the Internet, WWE probably wouldn't even know my name. If I had to rely on 'Pro Wrestling Illustrated' to get my name out there, it would have been a much more difficult road.
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My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is.
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Life in California is beautiful.
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I don't have any superstitions, but what I always travel with is my pillow and my coffee.
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But I believe we must not allow feelings of defeat to take root in our hearts.
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At NBC I wasn't really sure if the grandparents were going to get my sense of humor on a particular topic.
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Communism is not love. Communism is a hammer which we use to crush the enemy.
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We are not opposed to public transportation. We are opposed to wasteful boondoggles.
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Music has always played a big part in my life and, believe it or not, in my soap opera career.
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I see that it is impossible to remember a long poem without practice and repetition; so is forgetfulness of the words of instruction engendered in the heart that has ceased to value them.
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The most difficult story that I've ever been involved in breaking on any of my shows was 'The Constant' episode of 'Lost,' which was when Desmond was consciousness-traveling.
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Your man Daddy Yankee, some black and white people who know what's going on in the 'hood and the clubs are supporting him and loving him. But he's speaking Spanish, and he's speaking directly to the Latino people, and the people who know the language really dig it.
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I have a company called Earl Campbell Foods. I got into the meat business in 1991.
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I'm addicted to 'Scandal.' Joe Morton is the devil, and I love him. I am addicted to 'Boardwalk Empire.' Jeffrey Wright is the devil, and I love him.
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I can never believe how much time and energy and money and talent and everything else is being poured into horrible ideas.
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I'm confident and really optimistic.
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One of the saddest things about publishing is how quickly it ages what it touches. The frenzy involved in getting books on shelves, and in putting the word out that they're there, moves at a speed that is not the speed of writing, let alone of reading.
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When it comes to extracurricular activities, many children are getting too much of a good thing.
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We're the first not-white family to ever live in the governor's mansion. My son-in-law is Puerto Rican. I have a beautiful little granddaughter who is half Korean and half Latina. I'm the only white guy in the house.
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It's wonderful to see art in a museum, but it is institutionalised. I don't like the idea of the artwork as something that requires special conditions. I would like it to be universal.
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Remember: there are no small parts, only small actors.
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It's hard no to work, so I find a way to put myself back to work. And I think it's important, in between projects, for me to sit down with who I've just become and allow her to continue to evolve and find a home inside me before I go and become somebody else. But I think I also need to learn to relax and not prepare too much, just enjoy life. I notice that my characters go out to dinner and have fun and take these great trips, but I spend so much time on their lives, I don't have much of a personal life of my own. I have to sort of remember to fill out that little notebook on me.
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I am drawn to intimate, often uncomfortable portraits of a woman persevering and awakening.
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I don't remember most of the '60s and '70s.
