Jerry Saltz Quotes
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.

Quotes to Explore
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.
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I was never the girl who tore pictures out of wedding magazines.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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Every child should at least grow up in family rather than without one.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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Well I look for an accompanist that does his work well, this to begin.
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I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
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See, the SAG awards caught me totally by surprise.
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What have we achieved since the end of the Second World War? We have allowed petty, bourgeois regimes in which everything is average, mediocre.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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Writing has always been an interest of mine, and 'The Language of Flowers' combined my experience with foster care with something I've always wanted to do.
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The Charter of the United Nations expresses the noblest aspirations of man: abjuration of force in the settlement of disputes between states; the assurance of human rights and fundamental freedoms for all without distinction as to race, sex, language or religion; the safeguarding of international peace and security.
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I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
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We all have our likes and our dislikes. But... when we're doing news - when we're doing the front-page news, not the back page, not the op-ed pages, but when we're doing the daily news, covering politics - it is our duty to be sure that we do not permit our prejudices to show. That is simply basic journalism.
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Everybody on this floor wants to send the same loud and clear message: that Congress is united in its opposition to terror and we are all deeply concerned about the future and security of our close friend and ally, Israel.
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I was born in New York in 1904.
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When we are not engaged in thinking about some definite problem, we usually spend about 95 percent of our time thinking about ourselves. Now, if we stop thinking about ourselves for a while and begin to think of the other person's good points, we won't have to resort to flattery so cheap and false that it can be spotted almost before it is out of the mouth.
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Since 9/11, there has been a huge leap in people wanting to get personally involved in public service and international affairs.
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I don't intentionally go: 'Ooh, what is provocative,' and try to do that. I just do stuff, and people go: 'Ooh, that's provocative.'
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Co-creation is much more work than writing somewhere in a hidden corner and then publishing your content. However, the benefits outweigh the costs.
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As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.