Jerry Saltz Quotes
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
Quotes to Explore
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I'm good at description and imparting flow to a story, but I don't necessarily understand the value of long scenes.
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The proper function of man is to live, not to exist. I shall not waste my days in trying to prolong them. I shall use my time.
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I was never the girl who tore pictures out of wedding magazines.
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It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
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I don't understand why women journalists always ask women about motherhood? It's far more important and interesting for women to talk about their work, their thoughts, their creativity and their individual identity.
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Well I look for an accompanist that does his work well, this to begin.
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I think that 'Lost' is a bit of a dinosaur in terms of the type of show it is. The economics just don't support making a show this big and complicated profitable enough for a network.
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See, the SAG awards caught me totally by surprise.
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What have we achieved since the end of the Second World War? We have allowed petty, bourgeois regimes in which everything is average, mediocre.
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I enjoy making films, but my heart is in the stage. Every night you have to be on. There's no second take.
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As for the Canadians - good actors and good directors are sometimes taken by the American market, you know, if they're good enough.
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Writing has always been an interest of mine, and 'The Language of Flowers' combined my experience with foster care with something I've always wanted to do.
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The Charter of the United Nations expresses the noblest aspirations of man: abjuration of force in the settlement of disputes between states; the assurance of human rights and fundamental freedoms for all without distinction as to race, sex, language or religion; the safeguarding of international peace and security.
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I vividly remember Charles Bronson's face in 'Chino.' The western genre is screaming for a face like that.
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We all have our likes and our dislikes. But... when we're doing news - when we're doing the front-page news, not the back page, not the op-ed pages, but when we're doing the daily news, covering politics - it is our duty to be sure that we do not permit our prejudices to show. That is simply basic journalism.
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Everybody on this floor wants to send the same loud and clear message: that Congress is united in its opposition to terror and we are all deeply concerned about the future and security of our close friend and ally, Israel.
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I was born in New York in 1904.
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The hypothesis of surviving intelligence and personality - not only surviving but anxious and able with difficulty to communicate - is the simplest and most straightforward and the only one that fits all the facts.
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I can talk to execs very clearly, very plainly. I don't get nervous in front of them anymore.
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As I flew back from New Zealand to bury my mother, it occurred to me that no matter how harrowing her loss was and how keenly it will always be felt, there was, nevertheless, a sense of relief that my father, sisters and I could say a final goodbye after the longest goodbye and relief that my mum had finally been released.
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I know that if we allow ourselves into the gridlock of tribalism, we're in trouble.
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As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
