Jerry Saltz Quotes
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
Quotes to Explore
-
I never pursued being 'famous.'
-
It is absolutely critical for competitiveness in the United States for us to really raise the bar in education, especially in math, in science, in technology.
-
It's totally mistaken to suppose that an armed escort is going to give a journalist any protection - on the contrary, journalists who turn up surrounded by armed personnel are just turning themselves into targets and in even worse danger.
-
Album sales have collapsed, with few artists making money from albums; touring is more lucrative. But I'm 53 now and won't be able to tour forever, so a logical step is to get into writing film scores. Trouble is, you need to be somewhere which has a big film industry - another reason why I'm thinking about living in California.
-
I live in, literally, the same home when I was swiping my first bank card and wondering if I'd have to put back the Charmin. We still don't have a dishwasher. My mom has done all these gardens so now my house looks like the garden shack in the middle of Versailles.
-
But what I'm very interested in, whether it's writing, whether it's hosting a show, whether it's cooking food, I'm just into the discussions of identity, culture and the politics of culture.
-
The secularists in Turkey haven't underestimated religion, they just made the mistake of believing they could control it with the power of the army alone.
-
My business issues are just that - business - and I deal with them like they are business.
-
My mum never told me that I was beautiful when I was a kid – and I didn't read magazines or watch MTV, so I had no real consciousness about it all.
-
Take heed, then, often to come together to give thanks to God, and show forth His praise. For when you assemble frequently in the same place, the powers of Satan are destroyed, and the destruction at which he aims is prevented by the unity of your faith.
-
I am a completely horizontal author. I can't think unless I'm lying down, either in bed or stretched on a couch and with a cigarette and coffee handy. I've got to be puffing and sipping.
-
Even if I only had 10 readers, I'd rather do the book for them than for a million readers online.
-
What I care about is readers because without readers I can't make a living... And I think it's a bad thing for the world if people don't read anymore. I want people to read a lot.
-
I talk to the universe all the time.
-
In theatre, there's no time for a proper meal.
-
A lot of camps and summer programs for kids seem to have discovered that among the most valuable things they offer is what they don't offer. No Wi-Fi. No grades. No hovering parents or risk managers or parents who parent like risk managers.
-
Everyone loves each other for the pilot. But once you start to do the show, you see everybody's true colors. If it's successful, people start to change, and then if it's not doing well, people start to change in other ways.
-
I grew up around jazz. I love jazz.
-
Chick Corea was a great influence on me, musically, as I was growing up.
-
I love being a mum but I do love to work too.
-
I just got to hear every note. After I left Birdland, I started working at the Jazz Gallery. In the end, I still couldn't play, but I knew how to listen. I was probably the world's best listener.
-
I love the German and the Swiss people for their many fine traits of character. I love their language that is so exacting and yet so expressive.
-
The stated mission at the time was simply to use the influence of the entertainment industry to do an accurate portrayal of drug and alcohol abuse. We all admit that we're not trying to censor anybody.
-
It's great that New York has large spaces for art. But the enormous immaculate box has become a dated, even oppressive place. Many of these spaces were designed for sprawling installations, large paintings, and the Relational Aesthetics work of the past fifteen years.
