Jessica Lange Quotes
For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
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I want to thank all the women who have worn my clothes, the famous and the unknown, who have been so faithful to me and given me so much joy.
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After graduating high school, Betty attended the Tuskegee Normal and Industrial Institute in Birmingham, Alabama, the alma mater of both her parents. My mother relocated to New York because she refused to accept the oppressive racism of the Jim Crow south.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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I wake up every morning and I wish I were dead, and so does Jim.
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Rather than doing the kind of fact-checking that normally goes with a story, you ran with certain stories for not wanting to get beat. There's a pressure that exists in your profession. I would be surprised in any honest exchange that you say that doesn't exist.
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I try and direct environmentally, so that people don't feel like everything is going to depend on what happens when someone says, 'action,' so that they can literally be swimming in the warm water, and at some point the race begins, and at some point the race ends, but it is about being free to swim.
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Good teaching is one-fourth preparation and three-fourths pure theatre.
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I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.
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I was trying to be Mary Tyler Moore. I loved her in 'The Dick Van Dyke Show.'
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A desire of gain is common to mankind, and the general motive to business and industry.
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I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
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If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
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You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
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The typical output deal from a studio is 10 to 14 movies a year.
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I love sitting down and having actual conversations. But I don't do that sound-bite, be-candidly-funny thing.
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If I care to listen to every criticism, let alone act on them, then this shop may as well be closed for all other businesses. I have learned to do my best, and if the end result is good then I do not care for any criticism, but if the end result is not good, then even the praise of ten angels would not make the difference.
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I can't tell a story about a working-class family on a premium channel that you have to pay to get.
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But this show reminds me that there are other aspects to me besides the fact that I'm a funny chick.
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When I got a call to do the voice of Johnny in an episode of 'American Dad' titled 'I Can't Stan You,' it was a great opportunity to be a part of a really funny cutting-edge show on television. I really got into the character, and I was able to do some improvisation, which allowed me to mix in part of my personality into the script.
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For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
