Jessica Lange Quotes
For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
Quotes to Explore
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I'm used to very low-budget situations. In 'The Exploding Girl,' we were literally changing in Starbucks because we didn't have trailers.
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I will not contest my parliamentary seat in a sad election that will not produce a Parliament capable of endorsing a realistic reform agenda for Greece.
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I don't do fake. That's the first thing you should know about me. I'm not one to put on airs or change my demeanor depending on where I am or who I am talking to.
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I would ask my mother to show me how to walk - and she did show me. That's why I think it's funny when people say, 'Did so-and-so teach you how to walk?' And I always say, 'You must be talking about my mother, because it was my mother who taught me how to walk.'
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I want to thank all the women who have worn my clothes, the famous and the unknown, who have been so faithful to me and given me so much joy.
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After graduating high school, Betty attended the Tuskegee Normal and Industrial Institute in Birmingham, Alabama, the alma mater of both her parents. My mother relocated to New York because she refused to accept the oppressive racism of the Jim Crow south.
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Acting can be a narrow and isolated experience, because you only examine your particular part.
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I wake up every morning and I wish I were dead, and so does Jim.
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Rather than doing the kind of fact-checking that normally goes with a story, you ran with certain stories for not wanting to get beat. There's a pressure that exists in your profession. I would be surprised in any honest exchange that you say that doesn't exist.
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I try and direct environmentally, so that people don't feel like everything is going to depend on what happens when someone says, 'action,' so that they can literally be swimming in the warm water, and at some point the race begins, and at some point the race ends, but it is about being free to swim.
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Good teaching is one-fourth preparation and three-fourths pure theatre.
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I am so excited to extend myself behind the scenes as a designer and to - as my father puts it - finally have a real job.
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I was trying to be Mary Tyler Moore. I loved her in 'The Dick Van Dyke Show.'
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A desire of gain is common to mankind, and the general motive to business and industry.
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I thought art was dead rabbits hanging by their feet on a wall. I went to Italy and saw all the religious paintings, and they didn't move me all that much. Then someone invited me to see this van Gogh exhibit at the Rosenberg Gallery in San Francisco.
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If you think about people's lives, you think about what's significant. And the things I find significant in my life are not the moments when people are yelling at each other. They're the moments when someone says something that is very poignant, but oftentimes not loud.
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You get some directors, and I can never understand it - there's a thing they call the 'video village' where all the monitors are, and you've probably seen it on set visits - I hate that! I never, ever like sitting in video village. I get either my own monitor or a hand held monitor, and I stand right by the camera.
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The typical output deal from a studio is 10 to 14 movies a year.
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I think at this point I only write books about questions I really want to figure out. They're indulgences, essentially. I think, 'What would I like to spend five years really thinking about? What could I gain from thinking about for five years?'
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We only have a certain amount of energy for each day. If we use it for the wrong purpose, if we focus on the negative or dwell on whoever hurt us, then we're not going to have the energy we need for the right purposes.
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We are living in 1937, and our universities, I suggest, are not half-way out of the fifteenth century. We have made hardly any changes in our conception of university organization, education, graduation, for a century - for several centuries.
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I have tried to keep on with my striving because this is the only hope I have of ever achieving anything worthwhile and lasting.
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At Standing Rock, we experienced, first-hand, people coming together in their communities and trying to use the levers of representative democracy to try and say, 'We don't want this in our community; we don't want this in our backyard,' and corporations using their monetary influence to completely erode that process.
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For me, acting was always a way to explore emotions - to dip into the well and really try to reach rock bottom down there. That was the most exciting part of it. I hadn't found anything that really allowed me to do that until I came upon acting.
