Jessie Matthews Quotes
I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
Quotes to Explore
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I would bump A Tribe Called Quest in my car all day.
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Though politics is by nature divisive, surely we all can agree that foster children need stability, safety, education, opportunity - and love.
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I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?
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I was raised Catholic, and my grandmother taught me to stay. As a teenager, I thought if you went on a date, you should stay for a couple of years. I didn't realize that if he wasn't your cup of tea, you got to leave.
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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Everybody around the world wants to send their kids to our universities. But nobody wants to send their kids here to public school.
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I believe to have been one of the rare drivers to have returned to Ferrari.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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After a 15-year career in television news, sometimes spent biting my tongue in the name of objectivity and balance, I retired to raise our two small children.
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There is always a type of man who says he loves his fellow men, and expects to make a living at it.
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My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
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I don't mind playing spoiler.
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Cultural industries will be the next engine for growth after real estate, and Wanda will make cultural industries our long-term focus.
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I think there is something to be said for not feeling like just because you're a model you have to be dressed up, look amazing, go to every party, and be smiling all the time.
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I do secret stand-up shows around New York. I announce and tweet this to nobody - I get onstage and I do a quick five minutes.
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Where there is flagrant abuse of corporate entities we must and will seek to tackle it.
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I think with this team we honestly worry about things other than the team concept, what makes up a good team. We always bring in a bunch of guys that play hard, and we might not win pretty, but have guys who know their roles and do whatever it is they have to do for the team to be successful we might not be the best as far as our talent level, but as far as having guys who work hard and play hard every game, we never had a problem with that.
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All my dance moves are improv. I just make them up on the spot.
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In rap music, even though the element of poetry is very strong, so is the element of the drum, the implication of the dance. Without the beat, its commercial value would certainly be more tenuous.
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I don't care what you play, where you're from, who you produce. It depends on what you're doing when you're with me. That's what counts. I don't pre-judge anything or anybody.
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At Performa in New York, there are a lot of commissions, but Manchester Festival is the only festival where everything is fully produced by the festival.
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I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
