Jessie Matthews Quotes
I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
Quotes to Explore
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My favorite film is probably the finale - 'Deathly Hallows: Part 2'.
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People always say 'humbling,' but I actually think it's quite inflating being nominated for an award. It's wonderful; it's a great feeling.
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I would bump A Tribe Called Quest in my car all day.
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Though politics is by nature divisive, surely we all can agree that foster children need stability, safety, education, opportunity - and love.
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I think that any sort of fantasy or sci fi that is grounded in something that could ostensibly be real - 'Jurassic Park' being my favorite example - is that much more prescient because it means that much more. Maybe one day, what if?
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I was raised Catholic, and my grandmother taught me to stay. As a teenager, I thought if you went on a date, you should stay for a couple of years. I didn't realize that if he wasn't your cup of tea, you got to leave.
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I never believe them when they say that because you really have to sort of be aware of what's going on in the news in order to get the jokes on the show.
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Everybody around the world wants to send their kids to our universities. But nobody wants to send their kids here to public school.
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I believe to have been one of the rare drivers to have returned to Ferrari.
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There is a kind of structure for a story that was peculiarly compelling for the radio. I thought I had invented it atom-by-atom sitting in an editing booth in Washington on M Street when I was in my 20s. Then I found out that it is one of the oldest forms of telling a story - it was the structure of a sermon.
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My granddad was a hard worker, and my dad is, too. It was instilled in me as a kid. I never got pocket money; I had to earn it. I had two paper rounds before school, not just one. Wherever I worked, whether it was at football, in the pub, I'd do whatever was asked of me - and more.
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I grew fond of acting rather late. And that was because I was not getting any job. I had a few friends in Delhi who were associated with theater. They took me to see some plays in Delhi and Baroda. That led me to believe the I could also act. And it was after that I joined National School of Drama in 1993.
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After a 15-year career in television news, sometimes spent biting my tongue in the name of objectivity and balance, I retired to raise our two small children.
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There is always a type of man who says he loves his fellow men, and expects to make a living at it.
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My main hope is eventually, in modern education field, introduce education about warm-heartedness, not based on religion, but based on common experience and a common sort of sense, and then scientific finding.
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I don't mind playing spoiler.
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Cultural industries will be the next engine for growth after real estate, and Wanda will make cultural industries our long-term focus.
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I think there is something to be said for not feeling like just because you're a model you have to be dressed up, look amazing, go to every party, and be smiling all the time.
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Where there is flagrant abuse of corporate entities we must and will seek to tackle it.
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There is no peace because the making of peace is at least as costly as the making of war - at least as exigent, at least as disruptive, at least as liable to bring disgrace and prison and death in its wake.
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To be a great actor, you really don't need to go to acting school or learn dance classes or work on your body. You have to be intelligent. You have to draw on a lot of emotions that you go through in life that you can tap into once you work on a set.
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My dad, as much as I love him, has one of those signs - 'The Isbell's' - on his front door, and he's got the damn apostrophe in there. I haven't strangled him yet.
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I think if the doctor is a good doctor and has a patient's best interest in mind then he's not going to allow anything to compromise that patient's care. The bottom line is the doctor has to care for his patient. You have to have that overwhelming sense of welfare for your patient.
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I collaborated on most of my dance numbers, literally 50/50, with the choreographers I worked with.
