Jill Lepore Quotes
Old reference books are like tree rings. Without them, there'd be no way to know what a tree had lived through.
Quotes to Explore
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I think 'The Color of Money' was very instrumental in opening up other opportunities. People started to recognize me as an artist after that film. And then, after I did 'Bird,' it was more solidified.
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Chinese people age overnight.
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Businesses fail when they over-invest in what is at the expense of what could be.
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The sky in Texas is the most amazing sky in the whole country, I think, like you can see more sky in Texas than you can see anywhere else in the world.
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Don't hate me for what tabloids write about me, because I guarantee it's a lie.
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This is my first wuxia movie and I must consider this before trying to make something with my own.
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If I buy a game on Steam and I'm running it on Windows, I can go to one of the Steam machines and already have the game. So you benefit as a developer; you benefit as a consumer in having the PC experience extended in the living room.
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I'm the best Twitterer.
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Like any small business owner, I experienced the pressures of building a company from the ground up - developing a business plan, balancing the books, meeting payroll and building a customer base.
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People are not happy with women in actual power, yet we seem to be happy to take women on as figureheads, objects, like queens. It's a powerful yet politically powerless role.
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Being a recognised face has its problems. I miss the freedom to go anywhere I want to.
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It was important on The Shipping News to have my house far enough away from each location so I had this time in the morning to think about my shots and still remain open to surprises once I got to the set.
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Abstract anger is great for rhetorical carrying on. You can go on endlessly about the post office, but it doesn't mean you're mad at your mailman.
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The days of the painter at the Bauhaus appear to be truly over. They are estranged from the actual core of present activities, and their influence is more restricting than inspiring.
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Hemingway's minimalism is based on the psychological mechanics of repression. An echo of his approach can be detected in a favorite trope of 1980s minimalists: a pattern of reference to dire secrets and hidden wounds these authors didn't realize they were supposed to have imagined.
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I don't mind doing the green-screen stuff at all, and in fact it's a lot like black-box theater, which I did plenty of in New York.
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We see God face to face every hour, and know the savor of Nature.
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I never grew up seeing women that looked like me in magazines or on TV and didn't feel like I had a place in the world of fashion. I am honoured to be part of that change.
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I think that physics is the most important-indeed the only-means we have of finding out the origins and fundamentals of our universe, and this is what interests me most about it. I believe that as science advances religion necessarily recedes, and this is a process I wish to encourage, because I consider that, on the whole, the influence of religion is malign.
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Both our senses and our passions are a supply to the imperfection of our nature; thus they show that we are such sort of creatures as to stand in need of those helps which higher orders of creatures do not.
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The problem isn't to learn to love humanity, but to learn to love those members of it who happen to be at hand.
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Old reference books are like tree rings. Without them, there'd be no way to know what a tree had lived through.
