Jim Crace Quotes
My dad didn't have a formal education, but he had a wonderful vocabulary. So in 'Harvest,' I wanted my main character to be an innately intelligent man who would have the vocabulary to say whatever he wanted in the same way as lots of working-class people can.
Quotes to Explore
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I'm not a big fan of talking about dying. And then I make a movie where I kill everybody.
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The library world is set up on this model where the library is a physical building and has a number of books and serves a geographical community.
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In the future, I want to have super-fights.
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God is a freaking character, with enough foibles, tantrums, and paradoxical behaviors to supply a thousand screenplays. But who do you cast?
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Books are not like albums, where you can simply download and enjoy your favorite chapter and ignore the rest.
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I love road trips! My husband and I love that. We bought a truck with a bench seat so we could put the dog in the middle.
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I'm the most Colombian of the Colombians, even though I've lived 47 years outside of Colombia. I've lived 13 years in New York, and I never did a painting about New York. I've lived in France more than 30 years, and I've never painted Paris.
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My gut feeling about sequels is that they should be premeditated: You should try to write a trilogy first or at least sketch out a trilogy if you have any faith in your film.
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Whatever its flaws, the United Nations is still the only institution that brings together all the countries of the world. And it is the best forum for the United States to spur countries to act - and to hold them accountable when they don't.
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Like the old Italian saying goes, 'It ain't rocket surgery.'
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I have always had this view about the modern education system: we pay attention to brain development, but the development of warmheartedness we take for granted.
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I'm addicted to food, so if you bring the cake and stuff to my house, I might walk by and take a swipe of icing and keep it moving. So what happens is I try to not keep it around.
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I've grown up playing for some incredible coaches, and I don't think anybody's ever been as fortunate as I have in terms of the people I've been allowed to play under, coach under, or be involved with.
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My message to the kids and our fans is hockey's a great game. There's a lot of hockey being played at all levels. Get involved, do it. We will be back and we will be back better than ever and hopefully as soon as possible. Don't give up on the game. It's too good.
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I'm focused on getting to a place where we can prove that journalism can make good money on the web.
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The gravest risks from al Qaeda combine its affinity for big targets and its announced desire for weapons of mass destruction.
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It's about discipline. It's about following instructions. It's about the execution of the plan. That's what sport is.
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There's a really easy way of just kind of wearing make-up but looking like there's nothing on your face... I'm still not very good at it, and I'm learning slowly.
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Asking myself, 'Is this any good?' is pointless. It just slows down my writing, and I can't tell anyway. It's always the paragraphs I loved most, the ones I tenderly polished and re-read with pride, that my editor will suggest cutting.
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Unfortunately, when you're an actor you have to act. It's not like you can sit in your living room, your bedroom, your study or whatever and act with yourself. It requires having somebody to respond to.
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My God, what did I do before Facebook? I guess I had to call people and see how they're doing! Now I can just read a post and call when in trouble.
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Insanity laughs under pressure we're cracking Can't we give ourselves one more chance Why can't we give love that one more chance Why can't we give love Cause love's such an old fashioned word and love dares you to care for The people on the edge of the night And love dares you to change our way of Caring about ourselves This is our last dance This is our last dance This is ourselves Under pressure
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Myth is the nothing that is everything.
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My dad didn't have a formal education, but he had a wonderful vocabulary. So in 'Harvest,' I wanted my main character to be an innately intelligent man who would have the vocabulary to say whatever he wanted in the same way as lots of working-class people can.
