Bryan Cranston Quotes
Quotes to Explore
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Don't send funny greeting cards on birthdays or at Christmas. Save them for funerals, when their cheery effect is needed.
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I thought we had energy out there. I thought the guys were, they played good, they were excited. We were almost dynamite out there today. Just a flicker away from being dynamite.
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I think when you compete every week, when you play under pressure daily, you find your rituals to be 100 percent focused on what you're doing.
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If I had a choice, I'd rather be admired less and have my husband tormented less. I'd prefer that people concentrate on a fair assessment of him and his Presidency.
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I'd visually have that idea. I'm diving off the end of the diving board. I'm not going to be worried about if I'm going to dive into a jellyfish or the water's going to be too cold or the boys are going to beat me. I'm just doing it. And if I do it, it's a good chance I'll make it.
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I think in the lifetime of a tennis player there are many times where you feel that tremendous confidence.
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I came up with a story and I wrote it.
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Some of the best ideas that we've invested in have made no sense to conventional sources.
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The happy story right now is the full page in Vanity Fair, which gives me a great deal of exposure.
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I embrace my blackness, just as I do my conservatism and my Christianity, but I don't want to be defined or pigeonholed by any one of the many elements that make up my character.
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Government bonds have basically been sold in the domestic market, so there is some sense of stability, but the amount of public debt is really severe... Japan must manage its finances with a sense of urgency.
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We are extremely focused on building some of the assets which are going into mid-India, semi-urban and rural, and that's our DNA. We are building a retail bank, and a lot of the deposit base is still in urban India.
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Chief executives, who themselves own few shares of their companies, have no more feeling for the average stockholder than they do for baboons in Africa.
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India needs to sustain its high growth rate.
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I got to New York when I was eighteen. I was knocking around, trying to be an actor, writer, musician, whatever happened.
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I think most people who get into their 50s reassess what made sense and what didn't make sense.
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I think that's a great opportunity, to pick a script where you can build up a good skill. I think the main thing I look for when I look at scripts is if it's inspirational. If it's something that teenagers can relate to. And is it something that the audience is going to get something out of. If not, then it's really not worth doing.
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We're not aware of fame itself, we're not that kind of band.
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Where do you run for help? When you are in trouble, what is your first instinct? Do you run to others or to God? Is it usually the counsel of another rather than the counsel found in waiting upon God in prayer? Why is this the way it is? Why do we run to man before we run to God?
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I think it'll be an emotional day. It'll be exciting for me, mostly it'll be exciting for them. I'm not going to get to come here a lot, so, it'll be a special day, hopefully.
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If things don't go fantastically, you just have to deal with it.
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I can't imagine Jon Cryer performing with the New York Philharmonic isn't one of the signs of apocalypse.
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The flow of people in a setting, their changing relationships to each other and their environment, and their constantly changing expressions and movements - all combine to create dynamic situations that provide the photographer with limitless choices of when to push the button. By choosing a precise intersection between subject and time, he may transform the ordinary into the extraordinary and the real into the surreal.
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You don't want to be a Kardashian.
