Nat Wolff Quotes
Every single movie I go up for I'm just checking the phone to see if the e-mail's come in, to see if I got the part yet, which makes me more anxious.
Quotes to Explore
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To deal with what you have to deal with as mayor or president, there has to be an overriding psychological or professional or emotional gratification that would let you go through all the angst.
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I could not tell you the date of my mother's death. I could not tell you the date of my dad's death. These are not dates that I find significant.
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If I categorized home runs that I've seen, without a doubt the monumental one is Henry's... but I've seen a lot of classic, great home runs. Gibson's was probably the most theatrical home run I've ever seen.
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I'm more the sort of person who doesn't like hugging strangers because we don't know each other, so we shouldn't.
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I live in the suburbs, the final battleground of the American dream, where people get married and have kids and try to scratch out a happy life for themselves.
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The next day, I got a phone call from him and he told me to come and read for a movie called New Jack City. So I went over there and they told me I was gonna wear dreads and play a cop.
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My sculptures cause an uproar, astonishment, and put a smile on your face.
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Governments and nations should sit together and resolve issues. Reforms must be reached through understanding. But others should not interfere.
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I've never been that comfortable talking about myself or about acting.
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In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
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I was always kind of florid. And full of rhetoric. That was my flaw. My whole time writing, I've had to work against that because it can be a wrecking posture.
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I started making music with my band in the '80s, so I am more product of post punk than classical music, and I have always carried on this way.
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What we cannot deny is that there's an association between exclusion, segregation, non-violent extremist thinking, and jihadism.
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You have to shelve a lot of your inspiration. There's only so much you can do with one record.
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I started writing 'The Lord of Opium' in 2008 and produced about 80 pages before disaster struck. Three eye operations nearly put an end to my career.
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I used to wear miniskirts with my GB top, and sparkly sandals, and the boys would be like: 'Oh my gosh, this girl cannot be serious.'
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I graduated from the University of California, Los Angeles, with an English literature degree and travelled for a year before going to work.
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When I was probably 5 or 6, my mother put me into an acting, singing, and dancing class.
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There are no words to describe my feelings for Errol Flynn.
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My normal cycle for movies is eighteen months and each part is separate.
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Urban areas tend to attract members of the 'knowledge class' - people who work with ideas, data, information.
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I wanted to make an Indian character who wasn't either a) the savage that must be eliminated, the force of nature that's blocking the way for industrial progress, or b) the noble innocent that knows all and is another cliche. I wanted him to be a complicated human being.
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One of my favorite stores in the Old Town is Buchbinderei. It's this tiny stationery shop where the owner, Doris Feldman, makes these beautiful hand-bound notebooks I always buy for gifts.
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Every single movie I go up for I'm just checking the phone to see if the e-mail's come in, to see if I got the part yet, which makes me more anxious.
