Jim Gaffigan Quotes
The whole idea of comedy, there is nothing normal about going up on stage to make strangers laugh. But I'm also not an exhibitionist like other comics. I'm not up there talking about masturbating.
Quotes to Explore
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The physical part of comedy is as hard as a lot of action movies. It scares me, but in a way that I like.
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I have new ideas every day, and I always want to take on new challenges.
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I like the idea of the comedy of resilience.
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There is resistance to change. There's a resistance to ideas.
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The things shamans deal with are extremely practical. They break down parameters of normal historical reality. Magical passes are just one aspect of that.
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First off, no one award-wise ever rewards comedy, which is... whatever. I don't care about that.
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The process for producing public policy in Congress is flawed. The process itself kills policy ideas through the bypassing of the rules and procedural decisions that limit discussion.
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Scientists and academics in particular focus on detail and the minutiae. When they talk to each other, they usually don't focus on the broad ideas; they don't focus on social interconnectedness. They focus on the task that they're doing.
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That's where the good ideas come from: the people, not the boardroom. But you have to be willing to put in the legwork.
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I think it's pretty normal that there are a lot of people out there who don't like us.
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I like that whole cop-comedy type of drama.
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I used to do a lot of comedy. I don't know what happened. I think it's my face.
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History is full of people who went to prison or were burned at the stake for proclaiming their ideas. Society has always defended itself.
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There was really a snobbery from people in film - they did not want people who had come from television. It was the poor relation of show business, and especially situation comedy.
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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There are some die-hard 'Chelsea Lately' fans, and that's where the majority of my fans come from. Chelsea is really helping make comedy audiences hipper and edgier.
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I could try to incorporate or reflect in my models what it is that an employee, manager, or entrepreneur does: to recognize that most are engaged in their work, form expectations and evolve beliefs, solve problems, and have ideas. Trying to put these people into economic models became my project.
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I've never been a fan of directors who clutter a piece with all sorts of crazy preconceptions or weird ideas.
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My first encounter with Marx's writings came very early in life, as a result of the strange times I grew up in, with Greece exiting the nightmare of the neofascist dictatorship of 1967-74.
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When my editor sent me the first two images of Joker's daughter, I was struck by how confident she looked despite her boney appearance and horribly scarred face. So I starting thinking, how did Duela gain such confidence in a world that prizes beauty?
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Reciting lines is hard; making stuff up is much, much easier.
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I think we often live at a surface level, and that ends up with us in a lot of difficulty because we just function on assumptions and secondhand knowledge.
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The whole idea of comedy, there is nothing normal about going up on stage to make strangers laugh. But I'm also not an exhibitionist like other comics. I'm not up there talking about masturbating.
