Maury Povich Quotes
Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.
Quotes to Explore
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Only time, education and plenty of good schooling will make anti-segregation work.
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I drove long distances like the 24 hours of Le Mans for years. But even this racing is now over. I retired.
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I was in a military family, so by the time I was 13 I'd lived in six different places.
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Lately, I've been doing a lot of tuning in and impatiently tuning out. As a longtime fan of talk radio, I don't think this bodes well for the long-term broad appeal of the medium.
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If you start lifting weights, you will expect to put weight on, as muscle is heavier than fat. But you have to look more at your body shape - you will get heavier - but you might get smaller and heavier at the same time, which is fine. And it doesn't really matter what you weigh as long as you are happy with your shape and size!
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I am from the age of magazines, so the Internet is terrifying to me. But I am learning.
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Classic cable TV may have hit its peak, but it's still a huge force, and the streaming apps of many cable networks still require you to authenticate that you're a paying cable customer every time you want to use a new such TV app.
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I actually spend very little time listening to any new music.
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I've been influenced by some of the greatest designers. Charles Eames. And Bruno Munari in the '50s in Italy - when they had to retool the industry of war into an industry to help society. In a way, I'm influenced by designers that were there at a radical time of change.
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Writing an essay is like a school assignment: I have my topic, I organize my thoughts, and I write it. I have complete control over what I'm doing. Writing a novel is like setting out on a journey without knowing who or what I'll encounter, how long it's going to take, or where I'm going to end up.
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NASA projects often have romantic names that link into a long history of exploration and adventure: Atlantis and Discovery, for example.
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My time at Shell was a most valuable experience because it taught me to look at the world in a long-term way. Shell takes a 20-year view on events and plans for different scenarios. It makes you see the world as a kind of large matrix.
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I took a lot of time to open myself up to taking chances musically.
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I can think of no other writer who so thoroughly embodies the Jamesian spirit as Alison Lurie. Like him she can excavate all the possibilities of a theme. Like his, her books seem long, unbroken threads, seamless progressions of effects.
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Paint goes a long way in making old look like new.
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I love it when people travel to see one of my works, and I always make time to meet and talk with them.
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I was writing at a really young age, but it took me a long time to be brave enough to become a published writer, or to try to become a published writer. It's a very public way to fail. And I was kind of scared, so I started out as a ghost writer, and I wrote for other series, like Disney 'Aladdin' and 'Sweet Valley' and books like that.
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People have different takes on clothes and what to wear and colors and all that stuff, so why make a big deal about uniformity? It took me a long time to grasp that particular concept, simply because I was coming from the James Brown thing. Again, I wouldn't trade that experience for anything.
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In every stock-jobbing swindle everyone knows that some time or other the crash must come, but every one hopes that it may fall on the head of his neighbour, after he himself has caught the shower of gold and placed it in safety.
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I never take my own side in a quarrel.
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To put it boldly, it is the attempt at a posterior reconstruction of existence by the process of conceptualization.
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Television viewers, they've been around a long time. They've been watching this thing now for 50 years. I mean, they know exactly what's happening when it comes to television programming. You can't put anything over on them anymore.
