Carol Kane Quotes
Quotes to Explore
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Not to oversimplify it, somebody once said a good rule of thumb in interpreting a character is to find the good in the bad people that you portray and the bad in the good.
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I care most about how people live their lives, what choices they make, and how they get the best from themselves.
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In the back of my mind, I can never forget this could be gone tomorrow - and at this point I think the odds are against me... the chances of succeeding in this business are slim to none; there's only a handful of people that have long careers. You have to put in the work, you can never be satisfied, never take it for granted.
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Having been on tour in countries that are extremely eco-friendly, we automatically end up doing the things that normal people do in other countries.
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Don't ever forget that a small group of thoughtful people can change the world, it's the only thing that ever has.
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As an artist, I can't be responsible for how people interpret material.
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Only people have been through that miserable time will recall the pass from their deep memory.
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London is the financial capital of Europe, a great platform to America and Asia. I love the fact that in British culture you can be whoever you want, and people don't even look at you. I don't feel that in Paris or Milan.
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I think, initially, working on your own is really great because it allows you to just be really free and not worry about how things are perceived or if people are going to think you're an idiot. And once that becomes ingrained, at least for me, I think I'll feel really comfortable to work with other people and still feel that same freedom.
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The biggest danger for any organism is to not identify that it's being threatened. I want to hope that people realize that the source of danger and risk in the Middle East is not the Israeli-Palestinian conflict but the deep radical Islamic vision of forming a global caliphate.
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I love people who dress how they feel and change it depending on the day.
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You have to understand that while I pre-plot the meta story of a given book, I often have no idea of what will happen on the next page, let alone the next chapter. That's what makes it fun for me; I write the books the same way many people read them.
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Spitfire asked me if I had a problem talking about Van Halen or Extreme. I really don't. There are people who are just going to want to know what it was like to play with Eddie.
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Even if I have to stand alone, I will not be afraid to stand alone. I'm going to fight for you. I'm going to fight for what's right. I'm going to fight to hold people accountable.
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I'm just very pleased and thankful that there was a receptive audience of people that I was able to connect with.
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I've always felt that if you've been blessed, you should try to help as many people as you can. I just think that's the right thing to do.
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I always say that the real success of Wine Library wasn't due to the videos I posted, but to the hours I spent talking to people online afterward, making connections and building relationships.
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I've seen a couple white girls coming to my concerts wearing head wraps, and I think they look so cute. It's kind of sad to see that people are really into separation, trying to separate everybody and making a clear division of 'us against you,' even with fashion. That sucks. It's not the way the world is supposed to be.
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It seems that the creative faculty and the critical faculty cannot exist together in their highest perfection.
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People have to respond to the characters and respond to the situations that they're in. That said, it still has to be a compelling narrative that drives along and keeps people coming back week after week. So really, with any successful show you could name, there has to be a mysterious blend of both of those.
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I'm stubborn, which is not necessarily admirable.
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I'm pretty good at saying no to things, at discerning between what I'm supposed to do and what I'm not supposed to do.
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I'd rather give up my ears than my eyes, which might sound unusual for a musician.
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I don't put together cars, I put together people.
