Frank Gehry Quotes
I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can't do that, I've failed.
Quotes to Explore
-
Feeling comfortable in my own skin has never been easy for me.
-
You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
-
When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
-
There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
-
Malicious attacks on the Soviet Union produce a natural feeling of indignation.
-
There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
-
I think my darkest days were probably when I was catering. I would go to these parties and pass out hors d'oeuvres, and it's like you're invisible. I remember one catering captain told me that all you are is a tray that comes into their space for a moment and then you leave. It was one of the most depressing things I've ever been told.
-
My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
-
It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
-
Shame is the feeling you have when you agree with the woman who loves you that you are the man she thinks you are.
-
Success is about honour, feeling morally calibrated, absence of shame, not what some newspaper defines from an external metric.
-
I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
-
Genius without religion is only a lamp on the outer gate of a palace; it may serve to cast a gleam of light on those that are without, while the inhabitant sits in darkness.
-
If women can be railroad workers in Russia, why can't they fly in space?
-
Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.
-
If I've learned anything in my career, it's that nothing worthwhile in life comes easy. That's just the way it is.
-
Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
-
A lot of my childhood memories involve walking home in floods of tears. At that age, feeling unpopular is difficult to handle.
-
And one wild Shakespeare, following Nature's lights, Is worth whole planets, filled with Stagyrites.
-
I believe that the Tibetans should have the right to control their own destinies and decide for themselves whether they want to be part of China or not. But this view isn't shared by most Chinese, or even the leaders of most Western democracies. As long as the Communist Party is in power, there is little hope for Tibet.
-
If you feel irritated by the absurd remarks of two people whose conversation you happen to overhear, you should imagine that you are listening to a dialogue of two fools in a comedy.
-
I didn't come from a traditional background of studying theater and doing Shakespeare.
-
I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can't do that, I've failed.
