Frank Gehry Quotes
I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can't do that, I've failed.
Quotes to Explore
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Feeling comfortable in my own skin has never been easy for me.
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You have another little drink, and I'll have another little drink, and maybe we can work up some real family feeling here.
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When life catches up with us, we all need space to dream and indulge, so I have created my own special range of bath & beauty loveliness to help you find your happy place.
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There is nothing cooler than to have them singing your words back to you. The last show I did, I was kind of nervous about putting the mic out there, because you're not sure how it's going to go. But I did, and they sang the whole chorus. I thought, 'Holy crap! That is the coolest feeling.' It's the biggest rush ever.
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Malicious attacks on the Soviet Union produce a natural feeling of indignation.
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There is a feeling, when you listen to radio, that it's one person, and they're talking to you, and you really feel their presence as one person.
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I think my darkest days were probably when I was catering. I would go to these parties and pass out hors d'oeuvres, and it's like you're invisible. I remember one catering captain told me that all you are is a tray that comes into their space for a moment and then you leave. It was one of the most depressing things I've ever been told.
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My music is a little dark, and my lyrics are a little darker. Every day, I'm fighting towards the light.
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It's critical that we use a very dark brush to paint evil. When you bring the light into that darkness as characterized in John 1, that light is very vivid. When it dispels the darkness, we see the brilliance that's there.
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Shame is the feeling you have when you agree with the woman who loves you that you are the man she thinks you are.
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Success is about honour, feeling morally calibrated, absence of shame, not what some newspaper defines from an external metric.
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I'm exchanging molecules every 30 days with the natural world and in a spiritual sense I know I am a part of it and take my photographs from that emotional feeling within me, rather than from an emotional distance as a spectator.
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Genius without religion is only a lamp on the outer gate of a palace; it may serve to cast a gleam of light on those that are without, while the inhabitant sits in darkness.
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If women can be railroad workers in Russia, why can't they fly in space?
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Very few people possess true artistic ability. It is therefore both unseemly and unproductive to irritate the situation by making an effort. If you have a burning, restless urge to write or paint, simply eat something sweet and the feeling will pass.
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I think the bottom line for Oregonians is that cleaner fuels mean cleaner air, and we need that, and we want that.
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If I've learned anything in my career, it's that nothing worthwhile in life comes easy. That's just the way it is.
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Time dissolves in summer anyway: days are long, weekends longer. Hours get all thin and watery when you are lost in the book you'd never otherwise have time to read. Senses are sharper - something about the moist air and bright light and fruit in season - and so memories stir and startle.
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Growing up, I watched my single mother work hard to provide for her three kids. She raised us in a one-bathroom house on a public-school teacher's salary of $22,000 a year.
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As time goes on, I realize more and more that, beginning in the early 30's, David Smith began setting the precedent for what was to come later for many of us.
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You can go home again, the General Temporal Theory asserts, so long as you understand that home is a place where you have never been.
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Human nature is almost unbelievably malleable, responding accurately and contrastingly to contrasting cultural conditions.
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Some memories are made out of the paper, they burn like a high school cigarette. Some leave without a “see you later”. Turn the page and pretty soon you forget. And others are made of concrete, others are made of steel. No, you can’t get away from the way they made you feel.
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I approach each building as a sculptural object, a spatial container, a space with light and air, a response to context and appropriateness of feeling and spirit. To this container, this sculpture, the user brings his baggage, his program, and interacts with it to accommodate his needs. If he can't do that, I've failed.
