Max Levchin Quotes
Quotes to Explore
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The old series of sittings with Mrs. Piper convinced me of survival for reasons which I should find it hard to formulate in any strict fashion, but that was their distinct effect.
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I'm a good audience in general, but it's hard to make me laugh.
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It's more fun to look at an old picture of me than it is to look at a new one sometimes. Although, I still wear a dress pretty well.
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My normal life is like being on holiday.
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I feel like I'm not the greatest general manager in the history of general managers, but I do OK, and I'm learning as I go. I try to just do my best with it.
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I've been sober now for a couple of years and I'm taking my sobriety very seriously - one day at a time and I am moving forward in my career.
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With dance and theatre, I think people get very nervous about not knowing the right things. They feel like they've missed something, or that they're not bright enough to watch it. It's not a test.
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As long as war is regarded as wicked, it will always have its fascination. When it is looked upon as vulgar, it will cease to be popular.
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I started running, and I hated it. Of course, everyone hates running for the first mile. If you're running two miles or twenty miles, it always hurts. Now I live it. I look forward to it. It's really good. It clears my head.
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A huge part of what animates homophobia among young people is paranoia and fear of their own capacity to be gay themselves.
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I like to talk on the cell when I do interviews. That way, I double my chances of getting brain cancer: from the cell phone, and from the questions.
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I think that the tying of the Montenegrin economy with the euro is a much better option than the adventure of printing our own currency.
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I need therapy after writing. It's like leaking blood from a stone. It's brutally difficult but worth it.
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I hope when I'm dead I'll be considered an icon, though.
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I play, in real life, Kim, who is actually Marshall Mathers ex-wife as of now. She lies and says she is pregnant because she really wants to keep him and he figures her out.
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Before MS moved in on me, I'd worked for seven years as a city lawyer, as the editor of a literary magazine, and before the age of 20, I'd also worked as a cadet journalist and as an assistant director in both film and TV. And then, after the lesions of MS, both on my spine and in my brain, I was the opposite of bionic.
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What was the future? The future was a solid wall, not promising, not threatening-all bunk. No guarantees of anything, not even the guarantee that life isn't one big joke.
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I always try to evolve my sound - innovate, improve, be different but still Martin Garrix. It all starts with an idea in my head, which I work on until it starts to shape itself into a track.
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I know I should say he suddenly seemed vulnerable and I felt a connection to his soul or whatever, but the truth is I just wanted to tackle him and then make out for the next three thousand years.
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I'm 5-feet-9, I have a deep voice, and I have a way with a line. What can I do about it? I can't stay home waiting for something different. I think it's a total waste of energy worrying about typecasting.
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No one escapes from the past without bearing some of its burdens.
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Right now, nearly all the apps on Facebook take a week to build. No more.
