Max Liebermann Quotes
Whenever I see a Frans Hals, I feel the desire to paint; but when I see a Rembrandt, I want to give it up.

Quotes to Explore
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My mail address is open for anyone, and I read all my mails by myself.
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The idea of being at home and picking up kids from school and cooking dinner and then the husband comes home - there's something that seems really nice to me 'cause I never had that growing up. And it seems so enticing. But in my mind, I'm like, 'Well, I'll just play that in a movie and go about my own life, bizarre as it is.'
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I just feel I've got thousands and thousands of young fans that have to learn about what's real when it comes to AIDS.
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One thing I really hate is experience. Experience for me doesn't work. Everybody's talking about experience this, experience that.
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I firmly believe caretaking the soul is incredibly important for happiness.
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I went into acting as psychotherapy, and it's still a work in progress.
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It comes back to the same old question people are always asking me: 'When are you going to do a solo record?' Well, if I did, it would probably be similar to 'Baluchitherium,' meaning it would be Van Halen music - which I write anyway - but without singing.
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Honestly, I find writing to be a very lonely job.
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One of the advantages of this found footage format is that you can have deliberately badly composed frames. Here we can put a camera in the weirdest angle and it kind of throws you off. You never know what you are supposed to be paying attention to. It's deliberate chaos.
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English football is so physical and fast that when you see a space, you have to go into it with all your speed.
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I made a commitment to myself; that I wanted to be an actress, and I wanted to do films that make a difference. It has to move people.
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For myself, losing is not coming second. It's getting out of the water knowing you could have done better. For myself, I have won every race I've been in.
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Suppose that every prospective parent in the world stopped having children naturally, and instead produced clones of themselves. What would the world be like in another 20 or 30 years? The answer is: much like today. Cloning would only copy the genetic aspects of people who are already here.
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There are no tricks to balancing work and family. It is a struggle all the time, and you just do your best. I think men are much better at compartmentalising.
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The creative impulses of man are always at war with the possessive impulses.
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Intelligent analysis of the composer's intention and strict adherence to it automatically ensures sincerity.
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With all of the qualities of the scene-setting, the dialogue, the place and time and the time and place in which your characters move. And I want to move with the characters, move with them and describe the world in which they are living.
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My father died when I was only five years old, and that was the moment when I learned a cruel lesson that tomorrow, in fact, might not be another day.
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One reason most people never stop thinking is that mental frenzy keeps us from having to see the upsetting aspects of our lives. If I'm constantly brooding about my children or career, I won't notice that I'm lonely. If I grapple continuously with logistical problems, I can avoid contemplating little issues like, say, my own mortality.
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Once introduced discontinuity, once challenge any of the properties of visual space, and as they flow from each other, the whole conceptual framework collapses.
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When I'd get out of school in the afternoon, I would go to the golf course, and I just picked the game up. And when I was 13 years old, I could shoot 70 - even-par 71, one over par and then something like that. I just took a liking to the game.
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It would make life much easier if I could have total faith and not question everything all the time, but I can't do it and I won't do it.
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Whenever I see a Frans Hals, I feel the desire to paint; but when I see a Rembrandt, I want to give it up.