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I mean, the death in the late eighties and early nineties really shook out a lot of hacks. The pond just sort of dried up for a lot of really bad comedians.
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In my mind, I was always a comedian who was going to branch into writing.
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With acting, you see some of the kids are literally just off the street, untrained, and they are great. And others are off the street, untrained, and kind of horrible.
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I hate all sidekicks.
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Having enough money has to go hand in hand with living in a way that you're not being a slave to your possessions.
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I've hung out in the writer's room a few times, but the fact is we've got such a good writing staff, I don't want to get my peanut butter fingerprints on anything.
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As you get older as a comedian and keep doing it, what you actually start to cherish on stage is not the build-up to the jokes, but how comfortable you can be in the silence and the non-laughing parts, and how long you can take the audience without a laugh to then get a huge reaction.
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90% of every art form is garbage - dance and stand-up, painting and music. Focus on the 10% that's good, suck it up, and drive on.
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Doing 'Young Adult' was really reassuring to me in a lot of ways. It confirmed a lot of suspicions I had about great actors.
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A lot of nerds aren't aware they're nerds. A geek has thrown his hands up to the universe and gone, 'I speak Klingon - who am I fooling? You win! I'm just gonna openly like what I like.' Geeks tend to be a little happier with themselves.
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I've gotten very cynical and kind of anhedonic about all the things I have to do to get to do comedy: all the travel, hotels, and airports.
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You know, in Los Angeles, you're constantly in your car, you're sealed up, you're not walking around. Whereas in New York, after a while, all your stuff is kind of public, in one way or the other. I'm not saying either one of those is bad; they're both great for a very specific kind of comedian. And I'm glad that they both exist.
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I'm always trying out new stuff onstage. That's where I do all my writing.
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Everything we have today that's cool comes from someone wanting more of something they loved in the past. Action figures, videogames, superhero movies, iPods: All are continuations of a love that wanted more.
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Before doing my first open mic, I was sitting in the back watching all these comedians banter back and forth and fire jokes and up each other, and I thought, 'This is where I wanna be.'
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When you act, you're being asked to pretend in a very rigid, controlled environment. It's very un-childlike. So a lot of times, when you put kids in that situation, you hope they have a better support system outside of what they're doing to bring them back to reality at the end of the day and to keep them well-rounded.
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If you hit a midget on the head with a stick, he turns into 40 gold coins.
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Every audience is different, even within the same venue. You have to just make every audience your audience; you can't pre-judge an audience based on the size of the room or the type of room. You've just got to be in the moment and go with it.
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When you put an album out, you can't do any material from the album if people are paying to see you.
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If they’ve really caught the #GoldenStateKiller I hope I get to visit him. Not to gloat or gawk - to ask him the questions that @TrueCrimeDiary wanted answered in her 'Letter To An Old Man' at the end of #IllBeGoneInTheDark.
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There's all kinds of those moments in your life where either through a weird set of circumstances, or a song you hear, or a smell you smell, or one person says something totally out of the context without the meaning that you assigned to it, but you snap back to the way you were when you were 14 or 15. We all deal with that.
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As unhealthy as I am, I'm weirdly aware of exactly how my body functions.
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I wish I had a really cool, esoteric answer, but what the process is to me is going onstage night after night after night after night until I get a new hour. And then once that hour is solidified and recorded, I move on.
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I really had to imagine the kind of person that I would have been if I had never left my hometown. I don't think I would have been a very pleasant person.