Ozzy Osbourne Quotes
Quotes to Explore
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I was an outsider, never quite part of what was going on, always looking in. It turned out to be great preparation for writing fiction.
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When I'm writing something, I try not to get analytical about it as I'm doing it, as I'm writing it.
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I knew that it was my only shot to be taken seriously in the recording industry, because it's fast and broad.
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The sounder your argument, the more satisfaction you get out of it.
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Probably I understand very much the people who rise against injustice.
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In the U.K., we're surrounded by American accents. Anything we watch in television. We have 'How I Met Your Mother' and all these other shows here, so it's not something that's really alien to us.
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'Sairat' is a film I absolutely loved. I have great regard for the movie and its film-maker. The movie blew my mind.
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Jupiter from on high smiles at the perjuries of lovers.
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It sounds depressing, but I think when you truly love someone, you'll never stop loving them.
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We don't really think that much about what we do; it's just fun.
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Writing and directing, to me, was the logical evolution from my life as an actor: going from telling someone else's story to actually creating my own. Perhaps one day I will do all three: write, direct, and act in the same production. That might get a little hectic, though.
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Being able to laugh is sexy in a man or woman.
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There are certain men and women who, from the minute they step in front of a camera, that's exactly where they belong. Connery's one.
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As a society we should be encouraging people out of the debt-culture mindset, not promoting it.
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I'm a writer first and a singer second.
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I didn't know you were Catholic. (to Treasury Secretary Henry Paulson as he got down on one knee to beg Pelosi to find Democratic support for the bailout bill)-2008
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Small habits well pursued betimesMay reach the dignity of crimes.
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Everything in moderation, with occasional excess - Ghost Rider (2002)
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There is not a single ill-doer who could not be turned to some good.
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When I was growing up in the '80s and working in the theater, David Mamet exploded with a whole new reworking of what dialogue should sound like. It was punchy and raw and repetitive, bursting with dynamic. I remember that switching on a lot of lights for me.
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Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that's no matter - to-morrow we will run faster, stretch out our arms farther ... And one fine morning ---
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... There's a joy, To the fond votaries of fame unknown, To hear the still small voice of conscience speak In whisp'ring plaudit to the silent soul.
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Through loyalty to the past, our mind refuses to realize that tomorrow's joy is possible only if today's makes way for it; that each wave owes the beauty of its line only to the withdrawal of the preceding one.
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I feel joy when I do a great show.
