Joanna Scott Quotes
'Out of Africa,' Dinesen's second book, is a love story, though not the one portrayed by Streep and Redford in the film. The memoir is about Dinesen's love of East Africa - the cultures, the landscapes, the animals. The feeling that saturates the book is reverence.
Quotes to Explore
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I've made up little mantras for myself, catchphrases from a screenwriting book that doesn't exist. One is 'Write the movie you'd pay to go see.' Another is 'Never let a character tell me something that the camera can show me.'
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In my downtime, you'll mostly find me curled up with a book. I love reading biographies. My favourites are those of Dalai Lama, Osama Bin Laden, and Einstein.
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Growing up in a small town gives you two things: a sense of place and a feeling of self-consciousness - self-consciousness about one's education and exposure, both of which tend to be limited. On the other hand, limited possibilities also mean creating your own options.
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I have one son. Of everything I've done in my life, nothing matches the feeling of having life growing inside you.
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I always had a feeling when I was a kid that I didn't really know what was going on. Everybody else knew stuff that I didn't know.
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Everyone's clamoring for the fourth book in the 'Fifty Shades' trilogy, which makes me laugh. Just the part of 'a fourth book in trilogy' that makes me laugh, not the clamoring for the next book.
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It's easier to release an ebook than a print book.
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Let us remember: One book, one pen, one child, and one teacher can change the world.
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I'm just not somebody who can sit around doing nothing, and all of us in the Foo Fighters have our own things outside of the band. I'm not going to use the cliche that those outlets bring us back fresh and with new ideas, but what I will say is that it keeps us all feeling free - and that creative freedom is a very positive thing.
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Self-respect: the secure feeling that no one, as yet, is suspicious.
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To me, the Quran is a research book.
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A smile is so sexy, yet so warm. When someone genuinely smiles at you, it's the greatest feeling in the world.
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I get tweets every single day going, like, 'I'm so glad you weren't on 'The X Factor.'
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In American culture we are supposed to take a pill when we're depressed or in grief as opposed to actually feeling.
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My son was born somewhat late in my life and I just found myself really feeling like I didn't want to miss out on being a parent and being with him, and not wanting a situation where I was constantly pulled back and forth between being present, and having all these other pressures and considerations.
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I lived for four years in the 1930s with these individuals and the only time that I wasn't thinking about dealing with physical suffering is when I was working on this book. I've never been more alive as when I worked on this book.
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I'm very physical. When I'm writing, I'm playing all the parts; I'm saying the lines out loud, and if I get excited about something - which doesn't happen very often when I'm writing, but it's the greatest feeling when it does - I'll be out of the chair and walking around, and if I'm at home, I'll find myself two blocks from my house.
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The biggest mistake you can make is assuming that creativity will hit you all at once and the muse will carry you to the end of the book on feather wings while 'Foster the People' plays gently in the background. Storytelling is work. Pleasurable work, usually, but it is work.
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I have this feeling watching Jasmine - that as you grow older, it becomes harder to feel 100 percent happy; you learn all the things that can go wrong; you become superstitious about tempting fate, about bringing disaster upon your life by accidentally feeling too good one day.
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Must all of them and their families be physically abolished? Of course not? They must be 'liquidated' or melted in the hot fire of exile and labor into the proletarian masses.
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We live with a distinct double standard about male and female aggression. Women's aggression isn't considered real. It isn't dangerous; it's only cute. Or it's always self-defense or otherwise inspired by a man. In the rare case where a woman is seen as genuinely responsible, she is branded a monster - an 'unnatural' woman.
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No addiction is good.
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'Out of Africa,' Dinesen's second book, is a love story, though not the one portrayed by Streep and Redford in the film. The memoir is about Dinesen's love of East Africa - the cultures, the landscapes, the animals. The feeling that saturates the book is reverence.
