Joe Paterno Quotes
Quotes to Explore
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At one point, I had a story accepted at the 'New Yorker,' which sent off weird bells in people when I told them - 'Oh,' they thought, 'now you are a writer' - where I really had been for the last 30-odd years.
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Once upon a time, I was very shy and you wouldn't even see me in a room. Then, when I was 16, I made the conscious decision to not be afraid of anything - this was about the time I picked up the bagpipes too - and my life pretty much changed forever.
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The entrepreneurial bug had already bitten my son Ankur by the time he got to college. As a lifelong entrepreneur, I certainly didn't want to dampen his enthusiasm by telling him he couldn't do it, but I also wanted to make sure it was balanced with the proper attention to his studies.
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I'm proposing a change: love thy worker-bee. Celebrate the ones who toil without complaint, play on a team, construct the hive, produce the honey... executing the plan!
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The personal things should be left out of platforms at conventions. You can argue yourself blue in the face, and you're not going to change each other's minds. It's a waste of your time and my time.
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Never put a sock in a toaster.
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You have to have in mind what you want when you go public. It's not just an end in and of itself. Suddenly, you have investors to satisfy. Investors who want - who demand - a return.
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The ideal and the beautiful are identical; the ideal corresponds to the idea, and beauty to form; hence idea and substance are cognate.
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People like to see showdowns.
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Very old music is, like, 11th century in my mind. That's very old.
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The first years of man must make provision for the last.
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We thus have a kind of see-saw: first, pure persuasion leading to the conversion of a minority; then force exerted to secure that the rest of the community shall be exposed to the right propaganda; and finally a genuine belief on the part of the great majority, which makes the use of force again unnecessary.
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You need diplomacy and not slogans. This is the place for wisdom, the place for seeking windows that will take you to the objective.
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I have written about some truly great writers - John Steinbeck, Robert Frost, and William Faulkner. Faulkner and Frost were the very peaks of American poetry and fiction in the 20th century.
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When I was young, I wanted to be the face of a makeup campaign or a hair campaign, so that's something that I've always dreamed of that hopefully comes along. And then obviously starring with Ryan Gosling in a movie wouldn't be so bad, either.
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I think that what's unique about sci-fi - at least from the view of a lot of Chinese writers - is that sci-fi is least-rooted in the particular culture that they're writing from.
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Getting to work with Edie Falco and watching her be a quiet presence - but a very powerful presence - and so brilliant and free? That was the first person I saw where I was like, 'I want to emulate that.'
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Salim-Sulaiman have always been my favourite. It's just an absolute pleasure working with them, and there's always something new you get to learn just by sitting in their studio and absorbing all that's happening around you.
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I'm not sure if a grinning Irish guy who is speechless for 45 seconds is going to make good TV.
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I believe things happen that can't be explained, but so many people seem intent on explaining them. Everyone has an answer for them. Either aliens or things from the spirit world.
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Nobody can claim the name of Pedro, nobody is Rosa or María, all of us are dust or sand, all of us are rain under rain. They have spoken to me of Venezuelas, of Chiles and Paraguays; I have no idea what they are saying. I know only the skin of the earth and I know it has no name.
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Success demands singleness of purpose.
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Its the name on the front of the jersey that matters most, not the one on the back.
