Isaac Asimov Quotes
Quotes to Explore
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You can never plan the future by the past.
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I think fashion is actually very good training for being in the tech world, because it's all about moving on to the next thing, looking for the next thing, not getting stuck in the past.
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My works are an imitation of my own past and present.
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To praise it would amount to praising myself. For the entire content of the work... coincides almost exactly with my own meditations which have occupied my mind for the past thirty or thirty-five years.
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Stop acting as if life is a rehearsal. Live this day as if it were your last. The past is over and gone. The future is not guaranteed.
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I think one's history and past is important at a certain time in your life, especially as an artist, just to try to hone in on that.
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The biggest thing is education for young chefs and how they should focus on one cuisine rather than trying to imitate too many. It's like art - you can see the cycles from many past artists and new artists being inspired by past artists.
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Whenever I'm in the U.K., people say I have an American accent. Which is, obviously, funny.
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I'd like to do something where there's a strong female character and some action. I've done a few stunts in the past.
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I'm really obsessed with the past.
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I like to believe, as a writer, that anybody who isn't a reader yet has just not found the right book.
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The simple truth of our finiteness is that we could, by whatever means, go on interminably only at the price of either losing the past and, therewith, our identity, or living only in the past and therefore without a real present. We cannot seriously wish either and thus not a physical enduring at that price.
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History is the version of past events that people have decided to agree upon.
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Elvis was just like a big old kid. It was like he never got past 19, I don't think, in a lotta ways.
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Although Alchemy has now fallen into contempt, and is even considered a thing of the past, the physicain should not be influenced by such judgements.
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The unrecorded past is none other than our old friend, the tree in the primeval forest which fell without being heard.
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The modern museum has multiple purposes - to curate and preserve, to research, and to reach out to the public. They challenge us and ask us to question our assumptions about the past or the world around us.
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The past could liberate or imprison - it creates a nation's character, provides the nourishment or the poison a people imbibe in their very marrow.
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I cannot in good conscience ask my colleagues to expend precious time and energy defending or explaining my past. We need all hands on deck, fighting for the future.
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All that can really be said is that at some indeterminate point in the very distant past, for reasons unknown, there came the moment known to science as t = 0. We were on our way.
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Continental directors, as opposed to British and American, tend to be somewhat high-handed in their approach.
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As a novelist, you deepen your characters as you go, adding layers. As a reporter, you try to peel layers away: observing subjects enough to get beneath the surface, re-questioning a source to find the facts. But these processes aren't so different.
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At odd and unpredictable times, we cling in fright to the past.
